Renny Harlin Net Worth 2018, Biography/Wiki, Married/Wedding
Renny Harlin Net Worth $10 Million Dollars
Renny Harlin net worth: Renny Harlin is a Finnish film director and producer who has a net worth of $10 million dollars. Renny Harlin, also called Lauri Mauritz Harjola, was created in Riihimki, Finland. He started his professional filmmaking career in the 80s, directing commercials and industrials for large corporations. Then he worked as a buyer for a Finnish film distributor, while co-writing the screenplay for what would become his first movie. His movie, “Born American”, was a success in the USA, but was banned in his home country. Since then, he’s gone on to direct both movie and television projects, including “A Nightmare on Elm Street 4: The Dream Master”, “Die Hard 2, “Cliffhanger”, “Cutthroat Island”, “The Long Kiss Goodnight”, “Deep Blue Sea”, “Driven”, “Mindhunters”, “Exorcist: The Beginning”, “The Covenant”, “12 Rounds”, “5 Days of War”, “Burn Notice”, “White Collar”, “Covert Affairs”, “Graceland”, and most recently, “The Legend of Hercules”.
March 15, 1959
6' 4" (1.93 m)
Director, Producer, Actor
Aalto University School of Arts, Design and Architecture
Luukas Mattison Mauritz
Oiva Harjola, Liisa Harjola
Independent Spirit Award for Best Feature, Lifetime Achievement Jussi
Skiptrace, The Legend of Hercules, Die Hard 2, Cliffhanger, Deep Blue Sea, The Long Kiss Goodnight, Cutthroat Island, The Devil's Pass, The Covenant, 5 Days of War, Mindhunters, 12 Rounds, A Nightmare on Elm Street 4: The Dream Master, Exorcist: The Beginning, Driven, The Adventures of Ford Fairlane, Born American, Prison, Cleaner, Rambling Rose, Blast from the Past, Never Sleep Again: The Elm Street Legacy, Mistrial, Speechless, A Sound of Thunder, Custody, Mannerheim, Legend of the Ancient Sword, The Long Kiss Goodnight 2
On May 29, 1991 Finnish newspaper Helsingin Sanomat wrote that Finnish director Renny Harlin had signed a contract with Paramount to direct the new film adaptation of The Saint (1997) with Robert Evans producing. Eventually the film was directed by Phillip Noyce.
In a interview film in 1990 Harlin told about his future projects. He was going to shoot after "Die Hard 2" (1990) a modern remake of Humphrey Bogart film "Key Largo" (1948). Film was titled "Gale Force", but was never made. After "Gale Force" he was going to film "Torpedo" titled gangster film which would have been set in 1939 New York, but this film was never made either. He dreamed it would have become his "Godfather" film.After those two films he planned to make the "Fade" with Steven Spielberg producing. Film would have told a story about teenage boy growing up in a small town in 1940's. Spielberg had offered him the film by sending him the book the script was based on.
Mario Kassar and Renny made two films together, Cliffhanger (1993) and Cutthroat Island (1995). Cliffhanger (1993) resulted to a box office success while Cutthroat Island (1995) on the other hand resulted to a massive flopped. Which also resulted that Mario's production company Carolco Pictures bankrupted because of the loss of money for the film.
His film Cutthroat Island (1995) resulted in as a massive failure because of the loss of money. The budget of the film was $92 million however the box office of the film was $10,017,322. As a result, the executive producer of the film Mario Kassar's production company, Carolco Pictures declared bankruptcy. This film also earned a place in the Guinness Book of World Records as the biggest loss of money for a film company ever.
Was offered the chance to direct GoldenEye (1995) but turned it down because he felt he had made enough sequels.
Mario Kassar thought Harlin was ideal director for "Gale Force," a film about hurricanes and starring Sylvester Stallone. After Harlin didn't accept the first offer, Kassar started offering more and more money, and in its way, it changed the pay scale of Hollywood directors. "Gale Force" was never made but, instead, Harlin directed Cliffhanger (1993).
Worked as an commercial and company film director before directing his first feature film.
A 14-year-old Renny Harlin wanted to became a film director after he saw Don Siegel and Charles Bronson in Helsinki while they were making the film Telefon (1977).
In 2006, Harlin was hired to direct a biography of Finnish Marshall and president Gustaf Mannerheim. The film is going to be produced by his old friend Markus Selin who produced his first film. The two men had announced initial plans as early as 2001. For a long time, there were major problems with funding, and the production was stopped. However, now the film has been rescheduled, and Mikko Nousiainen has been named as the leading star. The budget is estimated to be at around 10-14 million euros, which would make it the most expensive movie in Finnish film history.
Does a director's commentary for the DVDs of every single one of his movies.
He got a medal ("Kultainen ansiomerkki") from Finnish WWII veterans in 2004. He helped to organize "Kiitoksen paikka" concert which collected money to secure treatment and help to the old war veterans. Harlin said that helping the defenders of Finland is much more important that his other achievements.
In 2001, he bought an apartment from former Formula One driver Eddie Irvine.
Was perhaps the first mainstream, American-based filmmaker to use Toronto for big-budget locational and shooting purposes (something that has become very commonplace for American films nowadays) with his film The Long Kiss Goodnight (1996).
When he was starting out in Hollywood, he would travel via the city bus system with reels of his work to show studio executives.
Worked on Alien³ (1992) for over a year and asked to leave the project after not being satisfied with any script and wanted to do something completely different, and the next day was offered The Adventures of Ford Fairlane (1990) by Joel Silver.
Includes references to Finland, his country of birth [Finland]
[on writing for Hollywood] I don't want accidents I want disasters. I don't want dirt, I want filth. I don't want a storm, I want a hurricane. I don't want fear, I want panic. I don't want suspense, I want terror. I don't want humor, I want hysteria.
In Europe, film making is perceived as an art form with marginal business possibilities, and in the US, film making is a business with marginal artistic possibilities.
"Soon, a hundred million dollars is going to be a normal budget for an action picture. That size picture is in the works at every studio." (Precognitively, after seeing Terminator 2: Judgment Day (1991), USA Today, August 1, 1991).