Martin Scorsese Net Worth

How rich is Martin Scorsese?

Martin Scorsese net worth is
$70 Million

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Martin Scorsese Net Worth 2017, Biography & Wiki

It is often reported that the overall sum of Martin Scorsese net-worth reaches 70 million dollars. He’s regarded to be one of the greatest American filmmakers ever which is the most important source of Martin Scorsese net-worth. He is also respected for his contribution to celluloid.
Later, Martin Scorsese confessed that watching movies throughout the day was to be an unintentional movie school for him.

Martin Scorsese Net-Worth – 70 Million Dollars

Affected by lots of films viewed in his childhood as well as his living in The Big Apple, Martin Scorsese made his breakthrough in movie scene with all the launch of “Mean Streets” where he collaborated with such stars as Robert De Niro. After the release of it, he got enormous financial success which not only raised the complete amount of Martin Scorsese net-worth, but also let him film the picture “Taxi Driver”. The movie got a lot of unplanned success and got several Oscar nominations that has been a huge accomplishment for Martin Scorsese.
Martin Scorsese became recognized as one of many regular nominees to really get the Academy Award. Unfortunately, in addition, he became famous for nearly all the time losing for “Goodfellas” or “Raging Bull”. For the latter movies are regarded as one of so many errors in Oscar ceremonies these loses. In 2006, he was ultimately identified with receiving the Oscar award in the class of the Best Director because of his movie called “The Departed”.
Presently, he is known because of many collaborations with a different actor, Leonardo Di Caprio, who appeared in a lot of his own film, including “Shutter Island”. In addition to being a film maker, Martin Scorsese is also referred to as a film historian, celebrity and producer. These involvements also raise the total quantity of Martin Scorsese net-worth.
In 1990, an organization was established by Martin Scorsese for saving films called The Film Foundation. What’s even more significant is that it is a not for profit. In 2007, the film maker started the World Cinema Foundation which is known all around the entire world. His career in film was recognized with several awards for example Oscars, Emmys, Golden Globes, Academy Awards and many others.

Quick Facts

Birth date: November 17, 1942 age 72
Birth place: Queens, New York City, New York, United States
Height:5 ft 4 in (1.63 m)
Profession:Film Producer, Actor, Film director, Screenwriter, Television producer, Television Director, Film Editor, Film Historian
Education:Tisch School of the Arts, New York University, Cardinal Hayes High School
Nationality:United States of America
Spouse:Helen Morris (m. 1999)
Children:Francesca Scorsese, Domenica Cameron-Scorsese, Cathy Scorsese
Parents:Charles Scorsese, Catherine Scorsese
Siblings:Frank Scorsese
Awards:Academy Award for Best Director, Palme d'Or
Nominations:Academy Award for Best Picture, Academy Award for Best Writing Adapted Screenplay, Golden Globe Award for Best Screenplay - Motion Picture, Golden Lion, Primetime Emmy Award for Outstanding Drama Series, César Award for Best Foreign Film, Grand Jury Prize, Producers Guild of America Award for Best Theatrical Motion Picture, Satellite Award for Best Director, BAFTA Award for Best Documentary, David di Donatello for Best Foreign Director, Gotham Independent Film Award for Best Feature Film, AACTA International Award for Best Film, David di Donatello for Best Foreign Film, British Academy Television International Award, Hugo Award for Best Dramatic Presentation, Long Form, Edgar Award for Best Motion Picture Screenplay, Gotham Independent Film Award for Best Documentary, Writers Guild of America Award for Best Adapted Screenplay, Primetime Emmy Award for Outstanding Non-fiction Series, Directors Guild of America Award for Outstanding Directing – Documentaries, Writers Guild of America Award for Best Original Drama, Grande Prêmio do Cinema Brasileiro for Best Foreign Language Film, Primetime Emmy Award for Outstanding Multi-Camera Picture Editing - Miniseries, Movie Or A Special, British Academy Television Award for Best Specialist Factual, Robert Award for Best American Film, AACTA International Award for Best Direction, Nastro d'Argento for Best Extraeuropean Film, Primetime Emmy Award for Outstanding Cultural Program, Silver Lion for Best Story and Screenplay, Australian Film Institute Award for Best Foreign Film
Movies:Goodfellas, Taxi Driver, The Departed, The Wolf of Wall Street, Silence, Raging Bull, Casino, Shutter Island, Mean Streets, Hugo, The Aviator, Gangs of New York, Cape Fear, The King of Comedy, After Hours, Bringing Out the Dead, The Irishman, Alice Doesn't Live Here Anymore, The Color of Money, The Last Temptation of Christ, The Last Waltz, The Age of Innocence, New York, New York, Kundun, Who's That Knocking at My Door, Boxcar Bertha, Shine a Light, A Personal Journey with Martin Scorsese Through American Movies, George Harrison: Living in the Material World, No Direction Home, New York Stories, Made in Milan, American Boy: A Profile of Steven Prince, My Voyage to Italy, The Audition, The Big Shave, Italianamerican, The 50 Year Argument, It's Not Just You, Murray!, A Letter to Elia, What's a Nice Girl Like You Doing in a Place Like This?, The Key to Reserva, The Grifters, Shark Tale, Dreams, Clockers, Round Midnight, The Hi-Lo Country, Feel Like Going Home, Street Scenes, The Departed 2
TV shows:Vinyl, Fantástico, American Masters, American Experience, The Real GoodFella, New York: A Documentary Film, The 100 Scariest Movie Moments, History vs. Hollywood, The Century: America's Time, HBO First Look, Movies That Shook the World, Frontline, The Directors
facebook.com/scorsese
imdb.com/name/nm0000217
en.wikipedia.org/wiki/Martin_Scorse


Interesting Facts

#Fact
1He directed Victor Argo in six films: Boxcar Bertha (1972), Mean Streets (1973), Taxi Driver (1976), After Hours (1985), The Last Temptation of Christ (1988) and New York Stories (1989).
2(November 30, 2016) For the very first time the director had the great privilege of a private audience with Pope Francis in the Vatican in the company of his wife Helen Morris, daughters Francesca Scorsese, Cathy Scorsese and fellow producer Gastón Pavlovich. Scorsese screened his religious epic Silence (2016) (Nov. 29th) at the Jesuit-run Pontifical Oriental Institute in Rome for an international group of Jesuits and again (Nov. 30th) in the Vatican for a select group of guests.
3All but three of his feature films have received at least one Academy Award nomination: New York, New York (1977), The King of Comedy (1982) and After Hours (1985).
4First heard of Leonardo DiCaprio through old friend Robert De Niro who had co-starred with Leo in This Boy's Life (1993). He later spotted him on television one night in What's Eating Gilbert Grape (1993) which he thought, at first, was a documentary. By the time Leo had had his breakthrough outing in the blockbuster Titanic (1997), he was now in a position to help greenlight the production of Gangs of New York (2002).
5Martin Scorsese and Robert de Niro were brought up blocks apart in the Greenwich Village area of Manhattan, but never formally met when they were young. When introduced at a party in 1972, the two came to realize that they had seen each other many times but had never spoken.
6President of the 'Cinéfondation and Short Films' jury at the 55th Cannes International Film Festival in 2002.
7Peter Bogdanovich and George Cuckor signed Martin Scorsese's directing card that allowed him into the Directors Guild.
8Was Francis Ford Coppola's choice to direct The Godfather: Part II (1974), but Paramount Pictures wanted Coppola back, with the promise of his own creative freedom.
9Has a phobia of flying on airplanes.
10St. Patrick's Old Cathedral is used as a location in two Martin Scorsese films, which are "Who's That Knocking at My Door" and Mean Streets (1973).
11Despite the fact that Martin Scorsese does not like remakes, he has directed two. The first was Cape Fear (1991) and the second was The Departed (2006). The Departed is a remake of the Hong Kong film Infernal Affairs (2002).
12Leonardo DiCaprio thanked him when he won the Best Actor Oscar for Alejandro G. Iñárritu's The Revenant (2015). During his acceptance speech, DiCaprio thanked Scorsese for "teaching him so much about the cinematic art form" [February 28, 2016].
13Martin Scorsese made cameo appearances as a photographer in two films that he directed. The two films are The Age of Innocence (1993) and Hugo (2011).
14Martin Scorsese presented both Robert De Niro and Mel Brooks their AFI Lifetime Achievement awards.
15Eric Clapton gave Martin Scorsese the gold record of the song "Sunshine of Your Love" as a gift. Martin Scorsese used this song in Goodfellas (1990).
16Once considered producing a remake of Akira Kurosawa's High and Low (1963) with Mike Nichols as the director.
17In two of his films, After Hours (1985) and Cape Fear (1991), writer Henry Miller is mentioned.
18Is a huge fan of comedians. He has also directed comedians such as Alan King, Kevin Pollak, Don Rickles, Dick Smothers and Jerry Lewis.
19He was awarded a Star on the Hollywood Walk of Fame at 6801 Hollywood Boulevard in Hollywood, California on February 28, 2003.
20The film that had the greatest influence on him is Duel in the Sun (1946).
21Has been directed by such directors as Robert Altman, Robert Redford, Akira Kurosawa, Albert Brooks and Irwin Winkler.
22Has written three books on the cinema - "A Director's Diary: the Making of Kundun", "The Magic Box: 201 Movie Favourites" and "A Personal journey with Martin Scorcese Through American Movies" (A literary adaption of his Channel 4/British Film Institute documentary).
23Once surprised Dave Chappelle by saying he was a fan and quoting from "The Playa Haters Ball".
24Despite being known for directing extremely dark and often very violent movies, he is known in real life to be a very friendly, polite and mild-mannered person who gets along very well with his cast and crew.
25Admits he made Hugo (2011) so he would have at least one film his daughter could watch.
26Despite being known for his gangster films, he has only made five films out of almost 50 about the Mob: Mean Streets (1973), Goodfellas (1990), Casino (1995), Gangs of New York (2002) and The Departed (2006). His other films vary in genre and style, from period epics to musical to biopic of the 14th Dalai Lama.
27President of the jury at the 13th Marrakech Film Festival in 2013.
28Was at one time interested in making a remake of Scarface (1932) with Robert De Niro.
29Just confirmed to make a biopic of Frank Sinatra. [May 2009]
30Honorary president of the Vienna Film museum [2005]
31Was given the script of Taxi Driver (1976) by his friend Brian De Palma.
32Named after his maternal grandfather, Martin "Filippo" Cappa.
33Went to see The Searchers (1956) on the afternoon of the day that he graduated from Parochial school.
34Donated his collection of papers, photographs, memorabilia and other film-related ephemera to the Wesleyan University Cinema Archive, where it is conserved along with the collections of such film luminaries as Frank Capra, Clint Eastwood, Ingrid Bergman, John Waters, Elia Kazan and others. The Archive is kept under the supervision of renowned film historian, scholar and Professor of Film Studies Jeanine Basinger.
35According to lifelong collaborator Thelma Schoonmaker, Marty's favorite facet of the filmmaking process is the editing.
36The Magic Box (1951) was the film that created the biggest impression on him and made him think he could do film making himself.
37Directed three films on the American Film Institute's list of the 100 Greatest Movies: Raging Bull (1980) at #4, Taxi Driver (1976) at #52 and Goodfellas (1990) at #92.
38Scorsese's elaborate 2010 docu-commercial for "Bleu de Chanel" men's French fragrance, flashes a very brief image of a clapper board with the name - "C Cappa" - written on the Director credit space. Apparently this is an homage to his mother whose maiden name was C(atherine) Cappa.
39The death of Federico Fellini was very similar to his father's death. Bypass surgery, a stroke and then a coma. Scorsese also noted that they both lasted exactly the same days in the coma.
40Other than his short films and documentaries, all his film from 1972 to 1990 were shot in Widescreen aspect ratio (1.85:1) and all his film from 1992 onward were shot in CinemaScope aspect ratio (2.35:1).
41On Inside the Actors Studio (1994), he said the directors that inspired him the most are John Cassavetes, Orson Welles, John Ford, Federico Fellini, Elia Kazan, Roberto Rossellini, Michael Powell and Emeric Pressburger.
42The first movie he saw at the cinema was Duel in the Sun (1946), he was age 4.
43As of March 2016, seven of his films are on the IMDb's Top 250 Films list: Goodfellas (1990), Taxi Driver (1976), Raging Bull (1980), The Departed (2006), Casino (1995), Shutter Island (2010) and The Wolf of Wall Street (2013).
44Roger Ebert is a great admirer of Scorsese's work. 14 of Scorsese's films were given four stars by Ebert (Mean Streets (1973), Alice Doesn't Live Here Anymore (1974), Taxi Driver (1976), Raging Bull (1980), After Hours (1985), The Last Temptation of Christ (1988), Goodfellas (1990), The Age of Innocence (1993), Casino (1995), Kundun (1997), Bringing Out the Dead (1999), The Aviator (2004), The Departed (2006), Shine a Light (2008)), seven of his films are in Ebert's Great Movies list (Mean Streets, Taxi Driver, Raging Bull, After Hours, The Last Temptation of Christ, Goodfellas and The Age of Innocence), and Ebert has written an entire book of his reviews, interviews and essays on Scorsese's work simply titled "Scorsese By Ebert".
45Haig Manoogian was Scorsese's mentor at NYU. He eventually produced Scorsese's first film (I Call First (1967)) and when he died in 1980, Scorsese dedicated Raging Bull (1980) to Manoogian.
46In the fifth edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), seven of Scorsese's films are listed: Mean Streets (1973), Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1982), Goodfellas (1990), Casino (1995) and The Departed (2006).
47Is a huge fan of Fawlty Towers (1975). He describes the episode, Fawlty Towers: The Germans (1975), as "so tasteless, it's hilarious".
48Is a huge fan of the British Hammer Films series.
49Attended Cardinal Hayes high school in the Bronx as a young man. Fellow alumni included George Carlin, George Dzundza, Regis Philbin, Jamal Mashburn and Don DeLillo.
50Resides in New York City. His production offices are located on West 57th Street in Manhattan.
51He was made a Fellow of the British Film Institute in recognition of his outstanding contribution to film culture.
52Served as a guest critic on Siskel & Ebert (1986) following the death of Gene Siskel. The episode was "The Best Films of the 90s" in which Roger Ebert cited Scorsese's Goodfellas (1990) as one of the best films of the 1990s (#3). Scorsese's full list of his favorite films of the 1990s: 10.) Tie: Malcolm X (1992) and Heat (1995), 9.) Fargo (1996), 8.) Crash (1996), 7.) Bottle Rocket (1994), 6.) Breaking the Waves (1996), 5.) Bad Lieutenant (1992), 4.) Eyes Wide Shut (1999), 3.) Duo sang (1994), 2.) The Thin Red Line (1998), 1.) The Horse Thief (1986).
53Was originally going to direct The Honeymoon Killers (1970), but was replaced after a week of shooting.
54Says the only thing he regrets in his career is that he was only able to make The Last Temptation of Christ (1988) on a small budget although he imagined it to be a grand version.
55Recipient of the 2007 Kennedy Center Honors. Other recipients that year were Leon Fleisher, Steve Martin, Diana Ross, and Brian Wilson.
56Says he was happy with the fact that it took so long for him to win Best Director, because if he had won it earlier, it would have affected his directing and films.
57As a teenager in the Bronx, Scorsese frequently rented Michael Powell's The Tales of Hoffmann (1951) from a store that only had one copy of the reels. When this was not available the owner told him, "that Romero kid has it", referring to George A. Romero who was also a huge fan of the film. Today, both directors cite the film as a major influence.
58When he won his Best Director Oscar for The Departed (2006), he received the award from legendary directors, George Lucas, Francis Ford Coppola, and Steven Spielberg. The four were part of the "New Hollywood" movement of the 1970s and combined have nine Academy Awards and 38 nominations.
59Directed 18 different actors in Oscar nominated performances: Jodie Foster, Robert De Niro (three times), Joe Pesci (twice), Leonardo DiCaprio (twice), Daniel Day-Lewis, Cate Blanchett, Winona Ryder, Ellen Burstyn, Sharon Stone, Diane Ladd, Cathy Moriarty, Juliette Lewis, Lorraine Bracco, Paul Newman, Mary Elizabeth Mastrantonio, Alan Alda, Mark Wahlberg and Jonah Hill. Burstyn, De Niro, Newman, Pesci and Blanchett won Oscars for their roles in one of Scorsese's movies.
60Has worked with big names of music business: Elvis Presley, Bob Dylan, Jimi Hendrix, The Rolling Stones, U2, Michael Jackson and David Bowie.
61The Aviator (2004) was his first movie to gross over $100 million in the United States.
62The Wolf of Wall Street (2013) is the highest-grossing movie of his 47-year career with a worldwide gross of $389,600,694.
63In November 2006, he signed a four-year, first-look deal to develop projects with studio executives of Paramount Pictures.
64Scorsese and Taxi Driver (1976) are, among others, named as inspiration for the Massive Attack debut "Blue Lines".
65The 1912 American Mutoscope & Biograph Company short The Musketeers of Pig Alley (1912) heavily influenced Scorsese in the making of his own gangster films Goodfellas (1990), and Gangs of New York (2002). The film was picked by Scorcese for his 2005 tribute at Beaubourg, centre d'art et de culture Georges Pompidou (1977) in Paris, France. Biograph is the oldest movie company in America and in existence today, headed by producer/director Thomas R. Bond II.
66Served as mentor to Georgia Lee and invited her to apprentice for Gangs of New York (2002) in Europe.
67He received a Degree ad honorem in "Cinema, TV and Multimedia Production" from the University of Bologna on November 26, 2005.
68As of 2013, has directed seven biopics: Raging Bull (1980), The Last Temptation of Christ (1988), Goodfellas (1990), Casino (1995), Kundun (1997), The Aviator (2004) and The Wolf of Wall Street (2013).
69When asked where audiences would find the next Martin Scorsese, he said to look to Wes Anderson, the young director of Rushmore (1998).
70Was friend, protégé, and employee of actor-director John Cassavetes.
71His favorite films include: Citizen Kane (1941), The Red Shoes (1948) and The Leopard (1963).
72Ranked #3 in Empire (UK) magazine's "The Greatest directors ever!" [2005]
73Has mentioned that he thought Robert De Niro's best performance under his direction was as Rupert Pupkin in The King of Comedy (1982).
74President of jury at the Cannes Film Festival in 1998.
75In 1975, he accepted the Oscar for "Best Actress in a Leading Role" on behalf of Ellen Burstyn, who wasn't present at the awards ceremony. She won for her performance in Scorsese's Alice Doesn't Live Here Anymore (1974)
76He lost three best director - and best picture - Oscars to leading-man actors turned directors: Robert Redford, Kevin Costner and Clint Eastwood (Raging Bull (1980) lost to Redford's Ordinary People (1980); Goodfellas (1990) to Costner's Dances with Wolves (1990); The Aviator (2004) to Eastwood's Million Dollar Baby (2004)). On the only two occasions when he was Oscar-nominated as Best Director in years ending in zero, he was beaten by actors making their directorial debuts (Redford and Costner). In similar circumstance, has lost two times the Best Director Oscar to directors who act occasionally. Nominations came from Gangs of New York (2002) (lost out to trained actor Roman Polanski in The Pianist (2002)) and The Last Temptation of Christ (1988) (lost to Barry Levinson for _Rain Man (1988)).
77Personally spurns the notion of the "director's cut" feeling that once a film has been completed, this should not be further altered in any way.
78Apart from his legendary work as a filmmaker, he has been a vocal supporter of film preservation for almost three decades. His efforts to create a strong public awareness for the work of film archives include The Film Foundation, a non-profit organisation which he started together with other filmmakers. The Film Foundation regularly partners with the American film archives on the restoration of "lost" or endangered films.With this background he has agreed to serve as Honorary President of the Austrian Film Museum in Vienna.
79Has appeared in an "American Express" ad where he goes to pick up photos of his nephew's birthday party at a drug store, and then proceeds to nervously pick through what's wrong with each picture while trying to get the clueless photo-lab clerk's opinion on them. He proceeds to buy more film with an American Express card and calls the people on the pictures saying they need to reshoot. Scorsese says this funny ad is probably the closest he's come to accurately "playing" himself.
80Has famously collaborated with Robert De Niro in eight films. Scorsese has said that his creative collaboration with De Niro is very deep and that they can often understand each other without even talking. Their collaboration has had many dry spells (including recently), but Scorsese says he shows almost every script he writes or considers directing to De Niro to see what the actor's thoughts on them are even when De Niro ultimately has no involvement in the film.
81Both The Last Temptation of Christ (1988) and Gangs of New York (2002) were personal passions of his that he had wanted to make since the 1970s. When he first starting considering them, Robert De Niro was in his mind to play the lead characters in both (Jesus Christ in "Temptation" and Bill Cutting in "Gangs"). De Niro ultimately turned down the role in "Temptation" and this was decided he was too old to play Cutting by the time that "Gangs" finally went into production.
82Because so many of his actors win or are nominated for awards, actors are dying to work with him. The film With Friends Like These... (1998) pokes fun at this very real desire.
83He was one of three major directors to have been offered the opportunity to direct Schindler's List (1993) by producer Steven Spielberg, the other two being Roman Polanski and Billy Wilder. Scorsese thought a Jewish filmmaker should direct this; Polanski was not yet ready to deal with the painful subject (having lost his mother in the Holocaust); and Wilder (who was retired and who lost his mother and grandmother in the Holocaust) finally told Spielberg that he should do this himself.
84Several characters in his films refer to the legendary (noir) actor John Garfield, star of the original film The Postman Always Rings Twice (1946), which is also mentioned.
85Has appeared on Curb Your Enthusiasm (2000) as a shrill version of himself who comes to regret his decision to cast Larry David as a violent gangster in a movie after David repeatedly ruins the suit he needs to wear as the character.
86Was voted the fourth greatest director of all time by Entertainment Weekly, making him the only living person in the top 5 and the only working film director in the top 10 (Ingmar Bergman being retired as a filmmaker).
87Of the three films he has been trying to make since the mid-1970s, he has done two: The Last Temptation of Christ (1988) and Gangs of New York (2002). The third film, a biopic of Dean Martin called "Dino", has been on hiatus at Warner Brothers since the late 1990s. Scorsese has a very specific all A-list cast in mind, probably why this has yet to be produced. He wants Tom Hanks to star as Martin, Jim Carrey to play Jerry Lewis, John Travolta to play Frank Sinatra, Hugh Grant to play Peter Lawford, and Adam Sandler to play Joey Bishop.
88Has asthma.
89Is of Italian-Sicilian descent.
90Father of actress Cathy Scorsese with Laraine Marie Brennan.
91Is the subject of the song "Martin Scorsese" by alternative band King Missile.
92Has a dog named Silas.
93He took a cameo in his film Taxi Driver (1976) (as a man about to kill his wife) only because the actor who was supposed to play the role was sick on the day the scene was to be shot. Says he is generally uncomfortable in front of the camera.
94Was at one point slated to direct Clockers (1995), but for reasons that are not entirely clear, handed the directing chores to his onetime NYU student Spike Lee, while staying on as producer. He was also at one point going to direct Little Shop of Horrors (1986) for David Geffen, with Steven Spielberg as the executive producer. He was ultimately uninvolved, but claims that he wanted to shoot the movie in 3-D. It no doubt would have been a loving homage to Roger Corman, for whom he directed Boxcar Bertha (1972).
95He was an altar boy at Old St. Patrick's Cathedral, which was used in his early films I Call First (1967) and Mean Streets (1973). Old St. Patrick's is also where the baptism scene in The Godfather (1972) took place.
96Was at one point going to make a movie about the life of comedian Richard Pryor.
97Taught both Oliver Stone and Spike Lee at New York University.
98John Woo dedicated his action film The Killer (1989) to Scorsese on a commentary he did for the movie's DVD.
99Has one daughter with Helen Morris: Francesca Scorsese. Has one daughter with Julia Cameron: Domenica Cameron-Scorsese.
100He appears as attached to his pet white Bichon Frise Zoe as he was to his beloved parents - except Zoe is right beside Marty every day in the office.
101He directed Michael Jackson's music video Michael Jackson: Bad (1987). The full length video runs 16 minutes and is in both black and white and color. It is usually shortened down to just the color segment for television.
102His name is pronounced "Scor-sez-see".
103Good friends with editor Thelma Schoonmaker and cinematographer Michael Ballhaus. Scorsese introduced Thelma to her husband Michael Powell and he often quotes Powell as an influence.
104Is a longtime friend and was once a housemate of The Band's Robbie Robertson. He directed The Last Waltz (1978), the documentary of their supposedly last gig which Robertson produced. Robertson later produced the soundtrack for Scorsese's The Color of Money (1986).
105Presented with a special tribute at the 1976 Telluride Film Festival. It was presented by Michael Powell. [1976]
106Awarded third annual John Huston Award for Artists Rights by the Artists Rights Foundation. [1995]
107(December 19, 1996) Listed as one of 50 people barred from entering Tibet. Disney clashed with Chinese officials over the film Kundun (1997), which Scorsese directed.


Net Worth & Salary

TitleSalary
Hugo (2011)$10,000,000
Shutter Island (2010)$3,500,000
Gangs of New York (2002)$6,000,000 (had to pay $3,000,000 back due to budget overruns)


Trademarks

#Trademark
1Many of his films have at least one character who is known for being extremely violent, temperamental or generally unpredictable
2Many of his films highlight the fun and glamorous side of immoral behavior while also unflinchingly showing the ultimate cost to both the person and everyone around them
3Frequently uses The Rolling Stones song "Gimme Shelter" in his films.
4His films often contain extraordinary levels of bad language. The Wolf of Wall Street (2013) has the most uses of the f-word in a film at 569 and Casino (1995) has the fourth.
5Many of his films feature double-focus shots, which splice together two shots of characters in different depths in order to keep both in focus.
6Fast track-ins and track-outs
7Most of his movies features narration (Mean Streets (1973), Taxi Driver (1976), Goodfellas (1990), Casino (1995), Bringing Out the Dead (1999), The Departed (2006), Hugo (2011), The Wolf of Wall Street (2013)).
8Often works with Robert De Niro, Joe Pesci and Leonardo DiCaprio
9Often when the formal end-credits song is over before the credit sequence, the remaining minute or so will have atmospheric sound footage pertaining to the movie. For instance, The Age of Innocence (1993) had sounds of a horse-drawn carriage; The Last Waltz (1978) had the Winterland audience filing out as "Greensleeves" was played on the organ; Gangs of New York (2002) had modern-day New York City traffic, and Raging Bull (1980) had sounds of Lamotta's nightclub.
10Though he is particular about the aesthetics of every shot, he frequently encourages improvisation in dialogue.
11Thick, dark eyebrows and grey hair
12Thick black horn-rimmed glasses
13Frequently makes references to the work of Michael Powell.
14Cuts his movies to the music.
15Frequently casts pop stars in small acting roles: Kris Kristofferson in Alice Doesn't Live Here Anymore (1974), Clarence Clemons in New York, New York (1977), Mick Jones, Joe Strummer, Paul Simonon, and Ellen Foley, The King of Comedy (1982), Iggy Pop in The Color of Money (1986), David Bowie in The Last Temptation of Christ (1988), Debbie Harry and Peter Gabriel in New York Stories (1989), Marc Anthony and Queen Latifah in Bringing Out the Dead (1999), Gwen Stefani, Loudon Wainwright III, Martha Wainwright, and Rufus Wainwright in The Aviator (2004). Mark Wahlberg starred in The Departed (2006) long after ending his rapper days as "Marky Mark".
16Unflinchingly graphic and realistic violence
17Frequently sets his films in New York City
18[Cameo] Cameo appearances by himself and family members like his parents, Charles Scorsese and Catherine Scorsese. Catherine played Joe Pesci's mother in Goodfellas (1990).
19Frequently uses music by The Rolling Stones, especially the song "Gimme Shelter" (Goodfellas (1990), Casino (1995), The Departed (2006)).
20Often uses freeze frames (Raging Bull (1980), Goodfellas (1990), The Departed (2006), The Wolf of Wall Street (2013)).
21Often uses long tracking shots (His most famous is from Goodfellas (1990), following Henry Hill and his future wife Karen through the basement of the Copacabana night-club and ending up at a newly prepared table). A notoriously difficult shot to perfect, he has been dubbed by some as the "King of the Tracking Shot".
22Often uses diagetic music (i.e., source of music is visible on-screen)
23[slow-motion] Makes use of slow motion techniques (e.g., Mean Streets (1973), Taxi Driver (1976), Raging Bull (1980), The Wolf of Wall Street (2013)).
24Often begins his films with segments taken from the middle or end of the story (Raging Bull (1980), Goodfellas (1990), Casino (1995) and The Wolf of Wall Street (2013)).


Quotes

#Quote
1There's no way I can compare a movie of mine to the films that formed me.
2When I went to Hollywood in the '70s, what I saw of the old Hollywood was dying away.
3Max von Sydow is iconic in cinema. There's no doubt about it. He changed the face of cinema with his portrayals, going back to Ingmar Bergman.
4[on Nicolas Cage] I was looking in a way for a picture that I would be able to work with him on. I remember a few years ago his uncle Francis Coppola asked me to meet him and I did and we had a nice talk. And a couple of Christmases ago, Brian De Palma told me at a Christmas dinner he's really great to work with, he did Snake Eyes (1998) with him.
5Cape Fear (1991) was an attempt to work in the mainstream.
6[on Mean Streets (1973)] I was so pleased when Warner Bros. bought it because they had all the best gangster films.
7[remembering the late Jacques Rivette] The news of Jacques Rivette's passing is a reminder that so much time has passed since that remarkable moment in the late '50s and early '60s when so many directors were redrawing the boundaries of cinema. Rivette was one of them. He was the most experimental of the French New Wave directors, probably the least known in those early years. I vividly remember the shock of seeing his first two films, Paris Belongs to Us (1961) and The Nun (1966). Two very different experiences, both uniquely troubling and powerful, quite unlike anything else around. Rivette was a fascinating artist, and it's strange to think that he's gone. Because if you came of age when I did, the New Wave still seems new. I suppose it always will.
8[in a 1993 written article for "Premiere"] As a film student in New York in the early 60s, I was fortunate to be exposed too foreign ad American classics as well as B movies. I saw film as a learning process, a cross-cultural language that brought people together to share a common experience. I'm still a film student. If I'm not out making films, I'm watching them over and over, painfully aware of how much there is to learn. It would be a shame if future generations did not have the same chance.
9Johnny Depp is one. I like him. He's unique. I don't know how he does it.
10[on Brian De Palma] Brian took me under his wing when I went out to L.A. In the '70s, introduced me to De Niro, 'Paul Schrader' and other people, got me started. He gave me the Taxi Driver (1976) script, which he read. I once had very bad asthma, and Brian visited me in the hospital, took me home and took care of me until I got better. He is a warm, passionate, compassionate person who, I think, puts on a tough front.
11You can't do your work according to the people's values. I'm not talking about 'following your dream,' either, I never like the inspirational value of that phrase. Dreaming is a way of trivializing the process, the obsession that carries you through the failure as well as the successes which could be harder to get through. If you're dreaming, you're sleeping. It's important and imperative to always be awake to your feelings, your possibilities, your ambitions. But you also know this, for your work, for your passions, every day is a rededication. Painters, dancers, writers, filmmakers, it's the same for all of you, all of us. Every step is a first step, every brush stroke is a test, every scene is a lesson, every shot is a school. So, let the learning continue.
12Every time I get on an airplane, I know I'm not really an atheist. "Oh God, dear God," I say the minute the plane takes off. "I'm sorry for all my sins, please don't let this plane crash." And I keep praying out loud until the plane lands.
13[on Boardwalk Empire (2010)] I don't have time to watch any other shows. I only watched The Sopranos (1999) once or twice. I just couldn't connect with it. I started watching Curb Your Enthusiasm (2000), that is the key one, that is when I realised you could do something on television.
14[on death] I'm still struggling with the religious aspects of it.
15Each film is interlocked with so many other films. You can't get away. Whatever you do now that you think is new was already done in 1913.
16I think it's accumulated. If it's trained, it's trained from my own films. You can imagine the tension in a scene, or the warmth, or the humor. I think I know the size of the frame, and I think I know when to cut - and when not to. Somehow that comes out of the story, and the actors who are playing the parts. They determine, sometimes, whether you should move the camera or not, whether you should be in close-up, whether it should be a medium close-up. I try to translate all of that into visual terms-the feeling I'd like to get from a scene.
17When I first went to L.A. in 1970, there was a little bit of that need in me
  • to buy into, participate in, the dream world of celebrity. It's almost as if they are like gods and goddesses - that's the impression they make on you from when you're four or five years old. That's the old story. I hear a lot of actors talk about this, where people come up to them and talk to them, and finally the actor gets mad and says, Please, leave me alone. Then the fan thinks, Well, actors are a different kind of person, and also, What do you think I am? I am a person, too.
18The King of Comedy (1982) is my coming to terms with disappointment, disappointment with the fact that the reality is different from the dream.
19[on 2013 release of restored The King of Comedy (1982) ] I've always been partial to comedians - the irreverence, the absurdity, the hostility, all the feelings under the surface - and to the old world of late night variety shows hosted by Steve Allen and Jack Paar and, of course, Johnny Carson, to the familiarity and the camaraderie between the guests. You had the feeling that they were there with you, in your living room.
20[on actors he would like to work with] Johnny Depp is one. I like him. He's unique. I don't know how he does it.
21The cinema began with a passionate relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it in the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of the beginning.
22I have a desire to tell stories. And I'm never quite satisfied.
23[on The Bronx Bull (2016)] At the end of Raging Bull (1980) Jake La Motta is looking in a mirror and he's at comfort with himself. He's not fighting, he's not beating himself up. That's all. So, I don't know where they're going to go. I really don't know what The Bronx Bull" would be.
24[on Amos Vogel] If you're looking for the origin of film culture in America, look no further than Amos Vogel. Amos opened the doors to every possibility in film viewing, film exhibition, film curating, film appreciation.
25[in 2011, on his legacy] I don't know if there is any. Maybe a part of me wants there to be, if I'm being brutally honest, but the reality is it's a different experience now, cinema. Young people perceive the world and information in a completely different way to when I was growing up. So what I did in the past, I don't know how they'll see that in the future and if it will mean anything to them. I hope the scripts for Taxi Driver (1976), or Mean Streets (1973), or Raging Bull (1980) or any of these things, will have some resonance in the future for other people, if they see them at all. Things fall out of favor, out of fashion. I have no idea. All I can do is hope to get to make another one.
26[on Hugo (2011)] I've always loved 3D, going back to stereoscopic images - devices used in the Victorian period. When 3D was first used in my time, in 1953, I was so excited by it. I was talking to Elia Suleiman, the great Palestinian filmmaker. I said that I was very excited about the use of 3D. He pointed out that, if you do use 3D, it had to be there in the script. With Hugo, I felt that it was.
27When I get frustrated with the commercial playing field of feature films, I go to these [music documentary] movies. I have had the need, more and more, to explore the spiritual or religious. Elements of that find their way into my music films. Music is for me the purest art form. There's a transcendent power to it, to all kinds, to rock 'n' roll. It takes you to another world, you feel it in your body, you feel a change come over you and a desire to live. That's transcendence.
28There is an essence to the project that you must protect. You cannot make concessions on that, the story cannot be tampered with past that point; you have to fight off every power or force around you.
29I was never interested in the accumulation of money, you know. And I never had a mind for business. There have been serious issues with money over the years. I have a nice house now, in New York. But there have been major, major issues. In the mid-'80s it was pathetic, I mean, my father would help me out. I couldn't go out, I couldn't buy anything. But it's all my own doing.
30There are two kinds of power you have to fight. The first is the money, and that's just our system. The other is the people close around you, knowing when to accept their criticism, knowing when to say no.
31There was always a part of me that wanted to be an old-time director. But I couldn't do that. I'm not a pro.
32I'm concerned about a culture where everything is immediate and then discarded. I'm exposing [12-year-old daughter Francesca] to stuff like musicals and Ray Harryhausen spectaculars, Frank Capra films. I just read her a children's version of "The Iliad". I wanted her to know where it all comes from. Every story, I told her, every story is in here, "The Iliad". Three months ago, I had a screening here for the family. Francesca had responded to Mr. Deeds Goes to Town (1936), and to Mr. Smith Goes to Washington (1939), so I decided to try It Happened One Night (1934). I had kind of dismissed the film, which some critics love, of course, but then I realized I had only seen it on a small screen, on television. So I got a 35mm print in here, and we screened it. And I discovered it was a masterpiece. The way [Claudette Colbert] and [Clark Gable] move, their body language. It's really quite remarkable!
33At this point, I find that the excitement of a young student or filmmaker can get me excited again. I like showing them things and seeing how their minds open up, seeing the way their response then gets expressed in their own work. (2011)
34I think it's certainly interesting that what's happening now, in the past nine or ten years, particularly at HBO, was what we had hoped for in the mid-'60s when films were being made for television. We hoped that there would be this kind of freedom, the ability to create another world and develop character in a long-form story and narrative. That didn't happen in the '70s and '80s with television. This is a good example, and HBO has really been the trail-blazer in this, with the extraordinary series that they've had. I've been tempted, over the years, to be involved in one of them because of the nature of the long-form and the development of character and plot. So many of their other series that have been made are thoughtful, intelligent and brilliantly put together. It's a new opportunity for story-telling, which is very different from television in the past. This was my inroad.
35[on film preservation] Film is history. With every foot of film that is lost, we lose a link to our culture, to the world around us, to each other and to ourselves.
36I'm not a Hollywood director. I'm an in-spite-of-Hollywood director.
37[on black and white films]: Black and white is never really black and white. It's shades of grey.
38[on making Boardwalk Empire (2010), set in the 1920s]: To me, it's as if we're talking now about the 1980s or late 1970s. That was like yesterday to me. The 20s in my head were always very present because my parents always referred to it: the music, the people, the clothes. I know all the songs from that period; I know all the films. We knew it all. And so it was a natural transition. But you know I really was fascinated with the idea of working with Terry Winter and these guys, and taking these characters over 13 hours, developing them, developing their story, the complications of corruption in American politics.
39Boardwalk Empire (2010) is made for what I guess you would call the small screen. But we made it like a film; an epic B-film in a way. And you know what? Those small screens aren't that small any more!
40A friend of mine sent me that line ["All this filming isn't healthy"] on a note when we were making Raging Bull (1980)! I think it was one of the cinematographers who had just seen Peeping Tom (1960). And there is no doubt that [filmmaking] is aggressive and it could be something that is not very healthy. When you make a film... there are times in your life when you're burning with a passion and it's very, very strong. It's almost like a pathology of cinema where you want to possess the people on film. You want to live through them. You want to possess their spirits, their souls, in a way. And ultimately you can't stop. It has to be done until you get to the bitter end. You're exhausted. In some cases friends might have died, in some cases they don't come back, in some cases they can't make another picture. The only thing to do is try to make another picture. It's got to be done again.Now, I don't mean to sound dramatic, a lot of great films are made that way. And we might not only be talking about cinema here. We could be talking about other things, too. I would think that it might apply to other art forms. But I must say, that with that passion and that power, there is pathology in wanting to live vicariously through the people.
41Well, I think in my own work the subject matter usually deals with characters I know, aspects of myself, friends of mine - that sort of thing. And we try to work it out. By 'work it out' I mean almost like 'work it through your system'. Particularly, I think, on films like Mean Streets (1973), or Taxi Driver (1976) from 'Paul Schrader''s script. And Raging Bull (1980), especially. At the end of that film, Robert De Niro was fine, but me - I left Jake LaMotta's character more at peace with himself than I was with myself. And I was hoping to get to that moment that he was at the end of the film. That moment where he's looking at himself in the mirror. I was hoping to get there myself. But I hadn't made it. So it's a matter of living through the cinema I think.
42I think I was eight years old when I first saw Michael Powell and Emeric Pressburger's The Red Shoes (1948) and it had a very strong impact on me for many reasons: the nature of the storytelling; the images; the editing; the camera movements; the use of music - and the color. And then I saw Stairway to Heaven (1946) on a black-and-white television, and Hour of Glory (1949), again on TV, one afternoon when I was home sick from school. In New York, there was a television show called the Million Dollar Movie, which would show a film twice a night for a week. And so one week it would be Citizen Kane (1941). Edited. With commercials. And with the "News on the March" sequence missing. Ha! That was the first time I'd ever seen it! Then, you know, you'd get The Third Man (1949), with half the film cut out. But one of the films they showed was Michael Powell and Emeric Pressburger's The Tales of Hoffmann (1951). And it was cut down to about an hour and 40 minutes or so, black-and-white, with commercials. And it had a quality like "The Red Shoes"--a darkness, and a humor. But what was so interesting to me was the way the camera moved with the music. And the sense of editing. I lived in a tenement with my mother and father and my brother at the time, and if that film was on twice a night, I'd have to keep watching it. At certain point, my mother would ask: "Is it necessary to watch that again?"
43[The colors of my childhood were inflected by the gaudy hues of Eastmancolor which were] very powerful, very strong and very lurid, and kind of violent in a way. What I saw growing up were those colors, when there was color. Normally, it was all hallways with single light bulbs; it was mainly black-and-white in a way. But when it was color, it was harsh, strong; some would say lurid. My formative years were in the '50s, when you had all those popular novels with paperback covers, and films like Raoul Walsh's Battle Cry (1955) were just splashed all over the consciousness of popular culture.
44[I remember the] curiosity and sense of completion [that drove me to seek out hard-to-find films in his youth, and the undeniable fetishism of film which underwrote that all-consuming passion.] It's interesting because the fetish ideas are all there in Peeping Tom (1960). All the elements: the projector is correct; the lenses are right; the sprockets are correct. Even the sounds of the sprockets are correct. You do...There is a point in time, many times over the years... where I've loved to hear the sound of film going through a projector. And I could tell you if it's 35mm or 16mm, you know. Now that's gone, of course... but there's a certain kind of... it's like going into a trance almost, or I should say a "meditation" of some kind. It depends what you do with it. And it has to come out other ways. For me, it was burning to be able to express myself with cinema, and to be inspired by films.
45I've always liked 3D. I mean, we're sitting here in 3D. We are in 3D. We see in 3D. So why not?
46[Hugo (2011)] really the story of a little boy. But he does become friends with the older Georges Méliès who was discovered in 1927, or 1928, working in a toy store, completely bankrupt. And then he was revived in a way, with a beautiful gala in 1928, in Paris. And in my film, the cinema itself is the connection - the automaton, the machine itself becomes the emotional connection between the boy, his father, Méliès, and his family. It's about how it all comes together, how people express themselves using the technology emotionally and psychologically. It's the connection between the people, and the thing that's missing - how it supplies what's missing.
47Every shot [while making Hugo (2011) in 3D] is rethinking cinema, rethinking narrative - how to tell a story with a picture. Now, I'm not saying we have to keep throwing javelins at the camera, I'm not saying we use it as a gimmick, but it's liberating. It's literally a Rubik's Cube every time you go out to design a shot, and work out a camera move, or a crane move. But it has a beauty to it also. People look like... like moving statues. They move like sculpture, as if sculpture is moving in a way. Like dancers...
48A painting can't turn. If you look closely at some of the portraits from cubism at the time, you'll find a portrait of a woman that is really a projector.
49Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
50[on casting Ray Liotta as Henry Hill in Goodfellas (1990)] I'd seen Ray in Something Wild (1986), Jonathan Demme's film; I really liked him. And then I met him. I was walking across the lobby of the hotel on the Lido that houses the Venice Film Festival, and I was there with The Last Temptation of Christ (1988). I had a lot of bodyguards around me. Ray approached me in the lobby and the bodyguards moved toward him, and he had an interesting way of reacting, which was he held his ground, but made them understand he was no threat. I liked his behavior at that moment, and I saw, Oh, he understands that kind of situation. That's something you wouldn't have to explain to him.
51L'Avventura (1960) gave me one of the most profound shocks I've ever had at the movies, greater even than Breathless (1960) or Hiroshima Mon Amour (1959). Or La Dolce Vita (1960). At the time there were two camps, the people who liked the [Federico Fellini] film and the ones who liked "L'Avventura". I knew I was firmly on [Michelangelo Antonioni's side of the line, but if you'd asked me at the time, I'm not sure I would have been able to explain why. I loved Fellini's pictures and I admired "La Dolce Vita", but I was challenged by "L'Avventura". Fellini's film moved me and entertained me, but Antonioni's film changed my perception of cinema, and the world around me, and made both seem limitless. I was mesmerized by "L'Avventura" and by Antonioni's subsequent films, and it was the fact that they were unresolved in any conventional sense that kept drawing me back. They posed mysterie--or rather the mystery, of who we are, what we are, to each other, to ourselves, to time. You could say that Antonioni was looking directly at the mysteries of the soul. That's why I kept going back. I wanted to keep experiencing these pictures, wandering through them. I still do.
52I considered it a true cinematic challenge of working with a versatile actor such as Robert De Niro, who moulds himself according to each character. The only other actor who matches his histrionic ability is Al Pacino.
53The Color of Money (1986) was deep-rooted in social concern about the effect money has on the upper class. The billiards game in the film was a symbol depicting society. I very much liked Paul Newman in The Hustler (1961), and thought of repeating him in a character with more mature shades. He scored with his brilliant underplaying, winning an Oscar. He was very cooperative with newcomer Tom Cruise, who showed promise. In fact, the whistling tone in the film titles was Newman's idea. He was one of those actors who made method acting spontaneous, and his emerald eyes spoke volumes.
54Movies touch our hearts and awaken our vision, and change the way we see things. They take us to other places, they open doors and minds. Movies are the memories of our life time, we need to keep them alive.
55When I did The Age of Innocence (1993), the critics said, "Is it wrong to expect a little more heat from Scorsese?" I thought "Age of Innocence" was pretty hot. So I said, "Alright, I'll do Casino (1995)," and they said, "Well, gee, it's the same as Goodfellas (1990)." You can't win. Yes, "Casino" has the style of "Goodfellas", but it has more to do with America and even Hollywood--the idea of never being satisfied.
56[on Leonardo DiCaprio] Leo has a similar sensibility to me. I'm 30 years older than him, but I think we see the world the same way, meaning he feels comfortable with the characters I've dealt with over the years in movies. But also with Leo it's always an interesting process of discovery. And I don't say that in a facile way either, because we never know what that process is going to be, and it's always intimidating at first. And then Leo really gets into it and we start unravelling all these layers. With Shutter Island (2010) the story really lent itself to that.
57[on Akira Kurosawa] The term "giant" is used too often to describe artists. But in the case of Akira Kurosawa, we have one of the rare instances where the term fits.
58[on Akira Kurosawa] His influence on filmmakers throughout the entire world is so profound as to be almost incomparable,.
59[on Robert De Niro] I've come to know De Niro fairly well down the years. He's a very compassionate man. He's basically a very good man and you can see that in him. So he can take on characters that are pretty disturbing and make them human because of that compassion. It's taken me years to figure it out. He has an ability to make audiences feel empathy for very difficult characters because there is something very decent in him.
60I can't take shooting any scene for granted. I just can't. The moment I do that, I have no idea what I'm doing. "Oh, that'll be easy, I'll do that in five minutes." Believe me, that never happens.
61It's hilarious, the problems that arise when you're on the set. It's really funny because you make a complete fool of yourself. I think I know how to use dissolves, the grammar of cinema. But there's only one place for the camera. That's the right place. Where is the right place? I don't know. You get there somehow.
62[on Kathryn Bigelow] I've always been a fan of hers, over the years... Blue Steel (1990)... She's good, she's really good.
63But once Haig Manoogian started talking about film, I realized that I could put that passion into movies, and then I realized that the Catholic vocation was, in a sense, through the screen for me.
64[on Stanley Kubrick] Why does something stay with you for so many years? It's really a person with a very powerful storytelling ability. A talent... a genius, who could create a solid rock image that has conviction.
65[on Stanley Kubrick] One of his films... is equivalent to ten of somebody else's. Watching a Kubrick film is like gazing up at a mountain top. You look up and wonder, "How could anyone have climbed that high?".
66[on working with Liza Minnelli on New York, New York (1977)] After 15 minutes, I realized that not only could she sing she could be one hell of an actress. She's so malleable and inventive. And fun, even when things are hard.
67[on Robert De Niro] And even now I still know of nobody who can surprise me on the screen the way he does -- and did then. No actor comes to mind who can provide such power and excitement.
68[on The Departed (2006)] It's the only movie of mine with a plot.
69[onstage at the 2007 Oscars after winning for Best Director] Could you double-check the envelope?
70Cinema is a matter of what's in the frame and what's out.
71What does it take to be a filmmaker in Hollywood? Even today I still wonder what it takes to be a professional or even an artist in Hollywood. How do you survive the constant tug of war between personal expression and commercial imperatives? What is the price you pay to work in Hollywood? Do you end up with a split personality? Do you make one movie for them, one for yourself?
72[on the Iraq war] There are a lot of Americans who also feel that a lot of this war talk is economic, part of this has to do with the oil. I think it really has to come down to respecting how other people live. There's got to be ways this can be worked out diplomatically, there simply has to be.
73[on political correctness] You can hardly say anything about minorities now. It has made it extremely difficult to open your mouth.
74[on the Iraq war] One hopes that this kind of war can be done diplomatically, with intelligence rather than wiping out a lot of innocent civilians.
75I'm a lapsed Catholic. But I am Roman Catholic - there's no way out of it.
76There is no such thing as pointless violence. City of God (2002), is that pointless violence? It's reality, it's real life, it has to do with the human condition. Being involved in Christianity and Catholicism when I was very young, you have that innocence, the teachings of Christ. Deep down you want to think that people are really good - but the reality outweighs that.
77My whole life has been movies and religion. That's it. Nothing else.
78I prefer celluloid - there's no doubt about it. Yet I know that if I was starting to make movies now, as a young person, if I could get my hands on a DV camera, I probably would have started that way... There's no doubt I'm an older advocate of pure celluloid, but ultimately I see it going by the wayside, except in museums, and even then it could be a problem.
79It probably is better I didn't win in the '70s or mid-'80s or something. My view on making films is somewhat different in a way, and I think maybe it's something that... I was not able to handle at the time... Had I gotten an Oscar, maybe I would have gotten maybe an extra two days shooting, maybe a couple, you know what I'm saying?
80If I continue to make films about New York, they will probably be set in the past. The "new" New York I don't know much about. It's not that I'm against contemporary film. I'm open to it in general, but I find the new colors of the city, the new Times Square, kind of shocking. I guess I'm stuck in a time warp.
81I'm in a different chapter of my life. As time goes by and I grow older, I find that I need to just be quiet and think. There have been periods when I've locked myself away for days, but now it's different - I'm married and we have a daughter who is in my office the whole time.
82I think a lot of it has to do with the nature of the community. I've lived here in Los Angeles, but I'm more of a New Yorker, and the nature of my films is regarded as somewhat violent and the language is considered tough. As you grow older, you change. I make different films now. You don't make pictures for Oscars.
83Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, "My name is on that. I did that. It's okay." But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
84I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar. When Taxi Driver (1976) was up for Best Picture, it got three other nominations: Best Actor [Robert De Niro], Best Supporting Actress [Jodie Foster] and Best Music. But the director and writer were overlooked. I was so disappointed, I said, "You know what? That's the way it's going to be." What was I going to do, go home and cry?
85It seems to me that any sensible person must see that violence does not change the world and if it does, then only temporarily.
86[on Raging Bull (1980)]: Robert De Niro wanted to make this film. Not me. I don't understand anything about boxing. For me, it's like a physical game of chess.
87Because of the movies I make, people get nervous, because they think of me as difficult and angry. I am difficult and angry, but they don't expect a sense of humor. And the only thing that gets me through is a sense of humor.
88[on sports] Anything with a ball, no good.
89The only person who has the right attitude about boxing in the movies for me was Buster Keaton.


Pictures

All Martin Scorsese pictures »

Won Awards

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2016NBR AwardNational Board of Review, USABest Adapted ScreenplaySilence (2016)· Jay Cocks
2014Parajanov-Vartanov Institute AwardParajanov-Vartanov Institute AwardsBest FilmSayat Nova (1969)
2014Cinema Vanguard AwardSanta Barbara International Film Festival· Leonardo DiCaprio
2014AFI AwardAFI Awards, USAMovie of the YearThe Wolf of Wall Street (2013)· Leonardo DiCaprio
· Riza Aziz
· Joey McFarland
· Emma Tillinger Koskoff
2014Contribution to Cinematic Imagery AwardArt Directors Guild
2013Spotlight AwardNational Board of Review, USA· Leonardo DiCaprio
2013Audience AwardSESC Film Festival, BrazilBest Foreign Director (Melhor Diretor Estrangeiro)Hugo (2011)
2012NFCS AwardNevada Film Critics SocietyBest DirectorHugo (2011)
2012NTFCA AwardNorth Texas Film Critics Association, USBest DirectorHugo (2011)
2012Golden GlobeGolden Globes, USABest Director - Motion PictureHugo (2011)
2012Special AwardOnline Film Critics Society AwardsTo Martin Scorsese in honor of his work and dedication to the pursuit of film preservation
2012Primetime EmmyPrimetime Emmy AwardsOutstanding Directing for Nonfiction ProgrammingGeorge Harrison: Living in the Material World (2011)
2012Primetime EmmyPrimetime Emmy AwardsOutstanding Nonfiction SpecialGeorge Harrison: Living in the Material World (2011)· Margaret Bodde (executive producer)
· Emma Tillinger Koskoff (executive producer for sikelia productions)
· Blair Foster (supervising producer)
· Olivia Harrison (produced by)
· Nigel Sinclair (produced by)
2012PGA AwardPGA AwardsOutstanding Producer of Episodic Television, DramaBoardwalk Empire (2010)· Eugene Kelly
· Howard Korder
· Stephen Levinson
· Rudd Simmons
· Timothy Van Patten
· Terence Winter
2012Academy FellowshipBAFTA AwardsBAFTA Film
2012American Riviera AwardSanta Barbara International Film Festival
2012Movies for Grownups AwardAARP Movies for Grownups AwardsBreakthrough AchievementHugo (2011)
2012Award of the Argentinean AcademyAcademy of Motion Picture Arts and Sciences of ArgentinaBest Foreign Film (Mejor Película Extranjera)Hugo (2011)
2012AFI AwardAFI Awards, USAMovie of the YearHugo (2011)· Graham King
2011NBR AwardNational Board of Review, USABest DirectorHugo (2011)
2011Primetime EmmyPrimetime Emmy AwardsOutstanding Directing for a Drama SeriesBoardwalk Empire (2010)
2011SEFCA AwardSoutheastern Film Critics Association AwardsBest DirectorHugo (2011)
2011AFI AwardAFI Awards, USATV Program of the YearBoardwalk Empire (2010)· Timothy Van Patten
· Terence Winter
· Howard Korder
2011WAFCA AwardWashington DC Area Film Critics Association AwardsBest DirectorHugo (2011)
2011BSFC AwardBoston Society of Film Critics AwardsBest DirectorHugo (2011)
2011DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Dramatic SeriesBoardwalk Empire (2010)· Harvey Waldman (unit production manager plaque)
· Christopher Surgent (first assistant director plaque)
· Takahide Kawakami (second assistant director plaque)
· April Taylor (second assistant director/location manager plaque)
· Regina Heyman (second assistant director/location manager plaque)
· Patrick McDonald (second second assistant director plaque)
· Salvatore E. Sutera (additional second assistant director plaque)
2011FFCC AwardFlorida Film Critics Circle AwardsBest DirectorHugo (2011)
2010Cecil B. DeMille AwardGolden Globes, USA
2008Gold Derby AwardGold Derby AwardsLife Achievement (Other)
2007Gold Derby AwardGold Derby AwardsMotion PictureThe Departed (2006)· Brad Grey
· Graham King
· Brad Pitt
2007Gold Derby AwardGold Derby AwardsDirectorThe Departed (2006)
2007IFC AwardIowa Film Critics AwardsBest DirectorThe Departed (2006)
2007OscarAcademy Awards, USABest Achievement in DirectingThe Departed (2006)
2007NTFCA AwardNorth Texas Film Critics Association, USBest DirectorThe Departed (2006)
2007Golden GlobeGolden Globes, USABest Director - Motion PictureThe Departed (2006)
2007OFTA Film AwardOnline Film & Television AssociationBest DirectorThe Departed (2006)
2007OFCS AwardOnline Film Critics Society AwardsBest DirectorThe Departed (2006)
2007Critics Choice AwardBroadcast Film Critics Association AwardsBest DirectorThe Departed (2006)
2007COFCA AwardCentral Ohio Film Critics AssociationBest DirectorThe Departed (2006)
2007DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Motion PicturesThe Departed (2006)· Carol Cuddy (unit production manager plaque)
· Joseph P. Reidy (first assistant director plaque)
· Amy Lauritsen (second assistant director plaque)
· John Silvestri (second second assistant director plaque)
2006Golden SchmoesGolden Schmoes AwardsBest Director of the YearThe Departed (2006)
2006GrammyGrammy AwardsBest Long Form Music VideoNo Direction Home: Bob Dylan (2005)· Bob Dylan (performer)
· Margaret Bodde (producer)
· Susan Lacy (producer)
· Jeff Rosen (producer)
· Nigel Sinclair (producer)
· Anthony Wall (producer)
2006ICP AwardIndiewire Critics' PollBest DirectorThe Departed (2006)
2006Sierra AwardLas Vegas Film Critics Society AwardsBest DirectorThe Departed (2006)
2006NBR AwardNational Board of Review, USABest DirectorThe Departed (2006)
2006NYFCC AwardNew York Film Critics Circle AwardsBest DirectorThe Departed (2006)
2006OFCC AwardOklahoma Film Critics Circle AwardsBest DirectorThe Departed (2006)
2006PFCS AwardPhoenix Film Critics Society AwardsBest DirectorThe Departed (2006)
2006SEFCA AwardSoutheastern Film Critics Association AwardsBest DirectorThe Departed (2006)
2006SLFCA AwardSt. Louis Film Critics Association, USBest DirectorThe Departed (2006)
2006WAFCA AwardWashington DC Area Film Critics Association AwardsBest DirectorThe Departed (2006)
2006ACCAAwards Circuit Community AwardsBest DirectorThe Departed (2006)
2006BSFC AwardBoston Society of Film Critics AwardsBest DirectorThe Departed (2006)
2006CFCA AwardChicago Film Critics Association AwardsBest DirectorThe Departed (2006)
2006CINE Golden EagleCINE CompetitionDocumentaryNo Direction Home: Bob Dylan (2005)
2006DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest DirectorThe Departed (2006)
2006DFCCDublin Film Critics Circle AwardsBest DirectorThe Departed (2006)
2006DVDX AwardDVD Exclusive AwardsBest Audio Commentary (New for DVD)Raging Bull (1980)· Thelma Schoonmaker
2006DVDX AwardDVD Exclusive AwardsBest Director (of a DVD Premiere Movie)No Direction Home: Bob Dylan (2005)
2006FFCC AwardFlorida Film Critics Circle AwardsBest DirectorThe Departed (2006)
2005Sierra AwardLas Vegas Film Critics Society AwardsBest DirectorThe Aviator (2004)
2005ALFS AwardLondon Critics Circle Film AwardsDirector of the YearThe Aviator (2004)
2005OFTA Film AwardOnline Film & Television AssociationBest DirectorThe Aviator (2004)
2005Critics Choice AwardBroadcast Film Critics Association AwardsBest DirectorThe Aviator (2004)
2005DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest DirectorThe Aviator (2004)
2004KCFCC AwardKansas City Film Critics Circle AwardsBest DirectorThe Aviator (2004)
2004NYFCO AwardNew York Film Critics, OnlineBest DirectorThe Aviator (2004)
2004PFCS AwardPhoenix Film Critics Society AwardsBest DirectorThe Aviator (2004)
2004SLFCA AwardSt. Louis Film Critics Association, USBest Director - DramaThe Aviator (2004)
2004ACCAAwards Circuit Community AwardsBest DirectorThe Aviator (2004)
2003Man of the YearHasty Pudding Theatricals, USA
2003IOMAItalian Online Movie Awards (IOMA)Best Director (Miglior regia)Gangs of New York (2002)
2003Grand Prix Special des AmériquesMontréal World Film Festival
2003Golden GlobeGolden Globes, USABest Director - Motion PictureGangs of New York (2002)
2003Star on the Walk of FameWalk of FameMotion PictureOn 28 February 2003. At 6801 Hollywood Blvd.
2003Evelyn F. Burkey AwardWriters Guild of America, USA
2003Lifetime Achievement AwardDirectors Guild of America, USA
2003DVD Premiere AwardDVD Exclusive AwardsBest Audio Commentary, Library ReleaseThe Last Waltz (1978)· Robbie Robertson
2003FFCC AwardFlorida Film Critics Circle AwardsBest DirectorGangs of New York (2002)
2002Hollywood Film AwardHollywood Film AwardsOutstanding Achievement in Directing
2002Most Popular DocumentaryMelbourne International Film FestivalIl mio viaggio in Italia (2001)
2002Special AwardNational Society of Film Critics Awards, USAIl mio viaggio in Italia (2001)
2002NYFCO AwardNew York Film Critics, OnlineBest DirectorGangs of New York (2002)
2002SEFCA AwardSoutheastern Film Critics Association AwardsBest DirectorGangs of New York (2002)
2001William K. Everson Film History AwardNational Board of Review, USAIl mio viaggio in Italia (2001)
2001Special DavidDavid di Donatello Awards
2000Honorary CésarCésar Awards, France
1999OFTA Film Hall of FameOnline Film & Television AssociationCreative
1999Bronze WranglerWestern Heritage AwardsTheatrical Motion PictureThe Hi-Lo Country (1998)· Rudd Simmons (executive producer)
· Barbara De Fina (executive producer)
· Eric Fellner (executive producer)
· Tim Bevan (producer)
· Stephen Frears (director)
· Walon Green (screenwriter)
· Woody Harrelson (principal actor)
· Billy Crudup (principal actor)
· Patricia Arquette (principal actor)
· Sam Elliott (principal actor)
1998Lifetime Achievement AwardLas Vegas Film Critics Society Awards
1998Lifetime Achievement AwardLondon Critics Circle Film Awards
1998Billy Wilder AwardNational Board of Review, USA
1998Gala TributeFilm Society of Lincoln Center
1997Truly Moving Picture AwardHeartland FilmKundun (1997)
1997Life Achievement AwardAmerican Film Institute, USA
1995Career Golden LionVenice Film FestivalIn celebration of cinema's 100th anniversary.
1995Board of the Governors AwardAmerican Society of Cinematographers, USA
1995BFI FellowshipBritish Film Institute Awards
1995Fotogramas de PlataFotogramas de PlataBest Foreign Film (Mejor Película Extranjera)The Age of Innocence (1993)
1994BodilBodil AwardsBest American Film (Bedste amerikanske film)The Age of Innocence (1993)
1993Lifetime Achievement AwardGotham Awards
1993NBR AwardNational Board of Review, USABest DirectorThe Age of Innocence (1993)
1993Elvira Notari PrizeVenice Film FestivalThe Age of Innocence (1993)· Michelle Pfeiffer
1993Britannia AwardBAFTA/LA Britannia AwardsExcellence in Film
1991Independent Spirit AwardIndependent Spirit AwardsBest FeatureThe Grifters (1990)· Robert A. Harris
· Jim Painter
1991NSFC AwardNational Society of Film Critics Awards, USABest DirectorGoodfellas (1990)
1991BAFTA Film AwardBAFTA AwardsBest Screenplay - AdaptedGoodfellas (1990)· Nicholas Pileggi
1991BAFTA Film AwardBAFTA AwardsBest DirectionGoodfellas (1990)
1991BAFTA Film AwardBAFTA AwardsBest FilmGoodfellas (1990)· Irwin Winkler
1991American Cinematheque AwardAmerican Cinematheque Gala Tribute
1991BodilBodil AwardsBest Non-European Film (Bedste ikke-europæiske film)Goodfellas (1990)
1991BSFC AwardBoston Society of Film Critics AwardsBest DirectorGoodfellas (1990)
1991CFCA AwardChicago Film Critics Association AwardsBest DirectorGoodfellas (1990)
1991CFCA AwardChicago Film Critics Association AwardsBest ScreenplayGoodfellas (1990)· Nicholas Pileggi
1991Fotogramas de PlataFotogramas de PlataBest Foreign Film (Mejor Película Extranjera)Goodfellas (1990)
1990KCFCC AwardKansas City Film Critics Circle AwardsBest DirectorGoodfellas (1990)
1990LAFCA AwardLos Angeles Film Critics Association AwardsBest DirectorGoodfellas (1990)
1990NYFCC AwardNew York Film Critics Circle AwardsBest DirectorGoodfellas (1990)
1990Silver LionVenice Film FestivalBest DirectorGoodfellas (1990)
1990Filmcritica "Bastone Bianco" AwardVenice Film FestivalGoodfellas (1990)
1990Audience Award (Arena)Venice Film FestivalGoodfellas (1990)
1988Filmcritica "Bastone Bianco" AwardVenice Film FestivalThe Last Temptation of Christ (1988)
1986Independent Spirit AwardIndependent Spirit AwardsBest DirectorAfter Hours (1985)
1986Best DirectorCannes Film FestivalAfter Hours (1985)
1983Guild Film Award - GoldGuild of German Art House CinemasForeign Film (Ausländischer Film)Raging Bull (1980)
1982Golden Medal of the Minister of TourismDavid di Donatello Awards
1981NSFC AwardNational Society of Film Critics Awards, USABest DirectorRaging Bull (1980)
1977Kinema Junpo AwardKinema Junpo AwardsBest Foreign Language Film DirectorTaxi Driver (1976)
1977NSFC AwardNational Society of Film Critics Awards, USABest DirectorTaxi Driver (1976)
1977Blue Ribbon AwardBlue Ribbon AwardsBest Foreign FilmTaxi Driver (1976)
1977Special DavidDavid di Donatello AwardsTaxi Driver (1976)
1976Hochi Film AwardHochi Film AwardsBest Foreign FilmTaxi Driver (1976)
1976New Generation AwardLos Angeles Film Critics Association AwardsTaxi Driver (1976)· Jodie Foster
1976Palme d'OrCannes Film FestivalTaxi Driver (1976)
1967Prix de l'Age d'OrPrix de l'Age d'OrThe Big Shave (1968)

Nominated Awards

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2017Movies for Grownups AwardAARP Movies for Grownups AwardsBest DirectorSilence (2016)
2017Movies for Grownups AwardAARP Movies for Grownups AwardsBest ScreenwriterSilence (2016)· Jay Cocks
2017DFCS AwardDenver Film Critics SocietyBest DirectorSilence (2016)
2016ICP AwardIndiewire Critics' PollBest DirectorSilence (2016)
2016CFCA AwardChicago Film Critics Association AwardsBest Adapted ScreenplaySilence (2016)· Jay Cocks
2015Cinema Bloggers AwardCinema Bloggers Awards, PortugalBest North American FilmThe Wolf of Wall Street (2013)
2015Cinema Bloggers AwardCinema Bloggers Awards, PortugalBest Director - International CompetitionThe Wolf of Wall Street (2013)
2015Cinema Brazil Grand PrizeCinema Brazil Grand PrizeBest Foreign-Language Film (Melhor Filme Estrangeiro)The Wolf of Wall Street (2013)
2014IOMAItalian Online Movie Awards (IOMA)Best Picture (Miglior film)The Wolf of Wall Street (2013)· Riza Aziz (producer)
· Leonardo DiCaprio (producer)
· Joey McFarland (producer)
· Emma Tillinger Koskoff (producer)
2014IOMAItalian Online Movie Awards (IOMA)Best Director (Miglior regia)The Wolf of Wall Street (2013)
2014ALFS AwardLondon Critics Circle Film AwardsDirector of the YearThe Wolf of Wall Street (2013)
2014OscarAcademy Awards, USABest Achievement in DirectingThe Wolf of Wall Street (2013)
2014OscarAcademy Awards, USABest Motion Picture of the YearThe Wolf of Wall Street (2013)· Leonardo DiCaprio
· Emma Tillinger Koskoff
· Joey McFarland
2014NCFCA AwardNorth Carolina Film Critics AssociationBest DirectorThe Wolf of Wall Street (2013)
2014OFTA Film AwardOnline Film & Television AssociationBest PictureThe Wolf of Wall Street (2013)· Leonardo DiCaprio
· Joey McFarland
· Emma Tillinger Koskoff
· Riza Aziz
2014David Lean Award for DirectionBAFTA AwardsThe Wolf of Wall Street (2013)
2014Critics Choice AwardBroadcast Film Critics Association AwardsBest DirectorThe Wolf of Wall Street (2013)
2014COFCA AwardCentral Ohio Film Critics AssociationBest DirectorThe Wolf of Wall Street (2013)
2014DavidDavid di Donatello AwardsBest Foreign Film (Miglior Film Straniero)The Wolf of Wall Street (2013)
2014DFCS AwardDenver Film Critics SocietyBest DirectorThe Wolf of Wall Street (2013)
2014DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Feature FilmThe Wolf of Wall Street (2013)
2014GFCA AwardGeorgia Film Critics Association (GFCA)Best DirectorThe Wolf of Wall Street (2013)
2014Gold Derby AwardGold Derby AwardsMotion PictureThe Wolf of Wall Street (2013)· Leonardo DiCaprio
· Emma Tillinger Koskoff
· Joey McFarland
2013IGN AwardIGN Summer Movie AwardsBest Movie DirectorThe Wolf of Wall Street (2013)
2013ICP AwardIndiewire Critics' PollBest DirectorThe Wolf of Wall Street (2013)
2013RobertRobert FestivalBest American Film (Årets amerikanske film)Hugo (2011)
2013SFFCC AwardSan Francisco Film Critics CircleBest DirectorThe Wolf of Wall Street (2013)
2013Satellite AwardSatellite AwardsBest DirectorThe Wolf of Wall Street (2013)
2013VVFP AwardVillage Voice Film PollBest DirectorThe Wolf of Wall Street (2013)
2013WAFCA AwardWashington DC Area Film Critics Association AwardsBest DirectorThe Wolf of Wall Street (2013)
2013Silver CondorArgentinean Film Critics Association AwardsBest Foreign Film, Not in the Spanish Language (Mejor Película Extranjera)Hugo (2011)
2013ACCAAwards Circuit Community AwardsBest DirectorThe Wolf of Wall Street (2013)
2013Cinema Bloggers AwardCinema Bloggers Awards, PortugalBest Film (Melhor Filme)Hugo (2011)
2013Cinema Brazil Grand PrizeCinema Brazil Grand PrizeBest Foreign-Language Film (Melhor Filme Estrangeiro)Hugo (2011)
2013CEC AwardCinema Writers Circle Awards, SpainBest Foreign Film (Mejor Película Extranjera)Hugo (2011)
2013DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest DirectorThe Wolf of Wall Street (2013)
2013DFCS AwardDetroit Film Critic Society, USBest DirectorThe Wolf of Wall Street (2013)
2012HugoHugo AwardsBest Dramatic Presentation - Long FormHugo (2011)· John Logan (writer)
2012IDA AwardInternational Documentary AssociationBest Limited SeriesGeorge Harrison: Living in the Material World (2011)· Scott Pascucci (executive producer)
· Emma Tillinger Koskoff (executive producer)
· Margaret Bodde (executive producer)
· Olivia Harrison (producer)
· Nigel Sinclair (producer)
· Blair Foster (supervising producer)
2012Silver RibbonItalian National Syndicate of Film JournalistsBest Non-European Director (Regista del Miglior Film Non-Europeo)Hugo (2011)
2012IOMAItalian Online Movie Awards (IOMA)Best Director (Miglior regia)Hugo (2011)
2012Golden NymphMonte-Carlo TV FestivalOutstanding International Producer (Drama Series)Boardwalk Empire (2010)· Mark Wahlberg
· Terence Winter
· Timothy Van Patten
· Stephen Levinson
2012OscarAcademy Awards, USABest Motion Picture of the YearHugo (2011)· Graham King
2012OscarAcademy Awards, USABest Achievement in DirectingHugo (2011)
2012OFTA Film AwardOnline Film & Television AssociationBest PictureHugo (2011)· Graham King
· Tim Hetherington
· Johnny Depp
2012OFTA Film AwardOnline Film & Television AssociationBest DirectorHugo (2011)
2012OFCS AwardOnline Film Critics Society AwardsBest DirectorHugo (2011)
2012Primetime EmmyPrimetime Emmy AwardsOutstanding Drama SeriesBoardwalk Empire (2010)· Terence Winter (executive producer)
· Mark Wahlberg (executive producer)
· Stephen Levinson (executive producer)
· Timothy Van Patten (executive producer)
· Eugene Kelly (co-executive producer)
· Howard Korder (co-executive producer)
· Rick Yorn (producer)
· Joseph E. Iberti (producer)
2012PGA AwardPGA AwardsOutstanding Producer of Theatrical Motion PicturesHugo (2011)· Graham King
2012David Lean Award for DirectionBAFTA AwardsBest DirectorHugo (2011)
2012BAFTA Film AwardBAFTA AwardsBest Documentary FilmGeorge Harrison: Living in the Material World (2011)
2012BAFTA Children's AwardBAFTA AwardsBest Feature FilmHugo (2011)· Graham King
· Tim Headington
· Johnny Depp
2012Bradbury AwardScience Fiction and Fantasy Writers of AmericaHugo (2011)· John Logan (writer)
2012AACTA International AwardAACTA International AwardsBest DirectionHugo (2011)
2012AACTA International AwardAACTA International AwardsBest FilmHugo (2011)· Graham King
· Tim Headington
· Johnny Depp
2012Movies for Grownups AwardAARP Movies for Grownups AwardsBest DirectorHugo (2011)
2012VFCC AwardVancouver Film Critics CircleBest DirectorHugo (2011)
2012Saturn AwardAcademy of Science Fiction, Fantasy & Horror Films, USABest DirectorHugo (2011)
2012EDA AwardAlliance of Women Film JournalistsBest PictureHugo (2011)· Graham King
· Tim Headington
· Johnny Depp
2012EDA AwardAlliance of Women Film JournalistsBest DirectorHugo (2011)
2012AmandaAmanda Awards, NorwayBest Foreign Feature Film (Årets utenlandske spillefilm)Hugo (2012)
2012Critics Choice AwardBroadcast Film Critics Association AwardsBest DirectorHugo (2011)
2012COFCA AwardCentral Ohio Film Critics AssociationBest DirectorHugo (2011)
2012DavidDavid di Donatello AwardsBest Foreign Film (Miglior Film Straniero)Hugo (2011)
2012DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Motion PicturesHugo (2011)
2012DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in DocumentaryGeorge Harrison: Living in the Material World (2011)
2012Gold Derby AwardGold Derby AwardsDirectorHugo (2011)
2012Gold Derby AwardGold Derby AwardsMotion PictureHugo (2011)· Graham King
2011Golden SchmoesGolden Schmoes AwardsBest Director of the YearHugo (2011)
2011OFTA Television AwardOnline Film & Television AssociationBest Direction in a Drama SeriesBoardwalk Empire (2010)· Timothy Van Patten
· Allen Coulter
· Jeremy Podeswa
· Ed Bianchi
· Brad Anderson
· Simon Cellan Jones
· Brian Kirk
· Alan Taylor
· David Petrarca
2011Primetime EmmyPrimetime Emmy AwardsOutstanding Directing for Nonfiction ProgrammingA Letter to Elia (2010)· Kent Jones
2011Primetime EmmyPrimetime Emmy AwardsOutstanding Drama SeriesBoardwalk Empire (2010)· Terence Winter (executive producer)
· Mark Wahlberg (executive producer)
· Stephen Levinson (executive producer)
· Timothy Van Patten (executive producer)
· Eugene Kelly (co-executive producer)
· Lawrence Konner (co-executive producer)
· Howard Korder (supervising producer)
· Margaret Nagle (supervising producer)
· Rick Yorn (producer)
· Rudd Simmons (producer)
2011PFCS AwardPhoenix Film Critics Society AwardsBest DirectorHugo (2011)
2011SDFCS AwardSan Diego Film Critics Society AwardsBest DirectorHugo (2011)
2011BAFTA TV AwardBAFTA AwardsBest InternationalBoardwalk Empire (2010)· Terence Winter
· Timothy Van Patten
· Howard Korder
2011Satellite AwardSatellite AwardsBest DirectorHugo (2011)
2011Prize of the City of TorinoTorino Film FestivalBest International Documentary FilmGeorge Harrison: Living in the Material World (2011)
2011Saturn AwardAcademy of Science Fiction, Fantasy & Horror Films, USABest DirectorShutter Island (2010)
2011ACCAAwards Circuit Community AwardsBest Motion PictureHugo (2011)· Johnny Depp
· Graham King
· Tim Headington
2011Banff Rockie AwardBanff Television FestivalBest Continuing SeriesBoardwalk Empire (2010)· Timothy Van Patten
· Terence Winter
· Howard Korder
2011CFCA AwardChicago Film Critics Association AwardsBest DirectorHugo (2011)
2011DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest DirectorHugo (2011)
2010Gotham Independent Film AwardGotham AwardsBest DocumentaryPublic Speaking (2010)· Graydon Carter
· Margaret Bodde
· Fran Lebowitz
2010IOFCP AwardInternational Online Film Critics' PollBest Director of the DecadeThe Departed (2006)
2010Silver RibbonItalian National Syndicate of Film JournalistsBest Non-European Director (Regista del Miglior Film Non-Europeo)Shutter Island (2010)
2010IOMAItalian Online Movie Awards (IOMA)Best Director (Miglior regia)Shutter Island (2010)
2010Scream AwardScream AwardsBest DirectorShutter Island (2010)
2010Davis AwardAwards Circuit Community AwardsBest Motion PictureShutter Island (2010)· Mike Medavoy
· Arnold Messer
2008Cinema Brazil Grand PrizeCinema Brazil Grand PrizeBest Foreign-Language Film (Melhor Filme Estrangeiro)The Departed (2006)
2007Silver RibbonItalian National Syndicate of Film JournalistsBest Non-European Director (Regista del Miglior Film Non-Europeo)The Departed (2006)
2007IOMAItalian Online Movie Awards (IOMA)Best Director (Miglior regia)The Departed (2006)
2007ALFS AwardLondon Critics Circle Film AwardsDirector of the YearThe Departed (2006)
2007RobertRobert FestivalBest American Film (Årets amerikanske film)The Departed (2006)
2007David Lean Award for DirectionBAFTA AwardsThe Departed (2006)
2007Movies for Grownups AwardAARP Movies for Grownups AwardsBest DirectorThe Departed (2006)
2007VFCC AwardVancouver Film Critics CircleBest DirectorThe Departed (2006)
2007Silver CondorArgentinean Film Critics Association AwardsBest Foreign Film, Not in the Spanish Language (Mejor Película Extranjera)The Departed (2006)
2007BodilBodil AwardsBest American Film (Bedste amerikanske film)The Departed (2006)
2007DavidDavid di Donatello AwardsBest Foreign Film (Miglior Film Straniero)The Departed (2006)
2007Empire AwardEmpire Awards, UKBest DirectorThe Departed (2006)
2006Gotham Independent Film AwardGotham AwardsBest FeatureThe Departed (2006)· Brad Pitt
· Brad Grey
· Graham King
2006Silver RibbonItalian National Syndicate of Film JournalistsBest Foreign Director (Regista del Miglior Film Straniero)The Aviator (2004)
2006Primetime EmmyPrimetime Emmy AwardsOutstanding Directing for Nonfiction ProgrammingNo Direction Home: Bob Dylan (2005)
2006Primetime EmmyPrimetime Emmy AwardsOutstanding Nonfiction SeriesAmerican Masters (1985)· Susan Lacy (executive producer/producer)
· Prudence Glass (series producer)
· Julie Sacks (supervising producer)
· Jeff Rosen (producer)
· Nigel Sinclair (producer)
· Anthony Wall (producer)
2006BAFTA TV AwardBAFTA AwardsHuw Wheldon Award for Specialist FactualNo Direction Home: Bob Dylan (2005)· Nigel Sinclair
· Anthony Wall
2006Satellite AwardSatellite AwardsBest DirectorThe Departed (2006)
2006TFCA AwardToronto Film Critics Association AwardsBest DirectorThe Departed (2006)
2006EDA AwardAlliance of Women Film JournalistsBest PictureThe Departed (2006)
2006DVDX AwardDVD Exclusive AwardsBest Audio Commentary (New for DVD)The Aviator (2004)
2005Gold Derby AwardGold Derby AwardsDirectorThe Aviator (2004)
2005GrammyGrammy AwardsBest Long Form Music VideoThe Blues (2003)· Margaret Bodde (video producer)
· Alex Gibney (video producer)
· Richard Hutton (video producer)
2005OscarAcademy Awards, USABest Achievement in DirectingThe Aviator (2004)
2005Golden GlobeGolden Globes, USABest Director - Motion PictureThe Aviator (2004)
2005OFCS AwardOnline Film Critics Society AwardsBest DirectorThe Aviator (2004)
2005David Lean Award for DirectionBAFTA AwardsThe Aviator (2004)
2005Golden Satellite AwardSatellite AwardsBest DirectorThe Aviator (2004)
2005Movies for Grownups AwardAARP Movies for Grownups AwardsBest DirectorThe Aviator (2004)
2005VFCC AwardVancouver Film Critics CircleBest DirectorThe Aviator (2004)
2005DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Motion PicturesThe Aviator (2004)
2005DGGB AwardDirectors Guild of Great BritainOutstanding Directorial Achievement in International FilmThe Aviator (2004)
2004Golden SchmoesGolden Schmoes AwardsBest Director of the YearThe Aviator (2004)
2004Primetime EmmyPrimetime Emmy AwardsOutstanding Multi-Camera Picture Editing for a Miniseries, Movie or a SpecialAFI Life Achievement Award: A Tribute to Robert De Niro (2003)· Michael Polito (editor)
· Adam 'Chip' Pauken (editor)
· Debra Light (editor)
· Ryan Polito (editor)
· Thelma Schoonmaker (editor)
· Yoram Tal (editor)
2004Primetime EmmyPrimetime Emmy AwardsOutstanding Nonfiction SeriesThe Soul of a Man (2003)· Paul G. Allen (executive producer)
· Jody Allen (executive producer)
· Ulrich Felsberg (executive producer)
· Peter Schwartzkopff (executive producer)
· Alex Gibney (series producer)
· Margaret Bodde (producer)
2004CésarCésar Awards, FranceBest Foreign Film (Meilleur film étranger)Gangs of New York (2002)
2003Gold Derby AwardGold Derby AwardsMotion PictureGangs of New York (2002)· Alberto Grimaldi
· Harvey Weinstein
2003Gold Derby AwardGold Derby AwardsDirectorGangs of New York (2002)
2003Silver RibbonItalian National Syndicate of Film JournalistsBest Foreign Director (Regista del Miglior Film Straniero)Gangs of New York (2002)
2003OscarAcademy Awards, USABest DirectorGangs of New York (2002)
2003OFTA Film AwardOnline Film & Television AssociationBest DirectorGangs of New York (2002)
2003OFCS AwardOnline Film Critics Society AwardsBest DirectorGangs of New York (2002)
2003David Lean Award for DirectionBAFTA AwardsGangs of New York (2002)
2003Movies for Grownups AwardAARP Movies for Grownups AwardsBest DirectorGangs of New York (2002)
2003VFCC AwardVancouver Film Critics CircleBest DirectorGangs of New York (2002)
2003CFCA AwardChicago Film Critics Association AwardsBest DirectorGangs of New York (2002)
2003DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Motion PicturesGangs of New York (2002)
1998Best Foreign Film AwardAustralian Film InstituteKundun (1997)· Barbara De Fina (producer)
1997Silver RibbonItalian National Syndicate of Film JournalistsBest Foreign Director (Regista del Miglior Film Straniero)Casino (1995)
1996Golden GlobeGolden Globes, USABest Director - Motion PictureCasino (1995)
1996CFCA AwardChicago Film Critics Association AwardsBest DirectorCasino (1995)
1995Primetime EmmyPrimetime Emmy AwardsOutstanding Cultural ProgramEric Clapton: Nothing But the Blues: An 'In the Spotlight Special' (1995)· David Horn (executive producer)
· John Beug (executive producer)
· Stephen 'Scooter' Weintraub (producer)
· Ken Ehrlich (producer)
1994OscarAcademy Awards, USABest Writing, Screenplay Based on Material Previously Produced or PublishedThe Age of Innocence (1993)· Jay Cocks
1994Golden GlobeGolden Globes, USABest Director - Motion PictureThe Age of Innocence (1993)
1994USC Scripter AwardUSC Scripter AwardThe Age of Innocence (1993)· Edith Wharton (author)
· Jay Cocks (screenwriter)
1994DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Motion PicturesThe Age of Innocence (1993)
1992Golden Berlin BearBerlin International Film FestivalCape Fear (1991)
1992CFCA AwardChicago Film Critics Association AwardsBest DirectorCape Fear (1991)
1991Silver RibbonItalian National Syndicate of Film JournalistsBest Foreign Director (Regista del Miglior Film Straniero)Goodfellas (1990)
1991OscarAcademy Awards, USABest DirectorGoodfellas (1990)
1991OscarAcademy Awards, USABest Writing, Screenplay Based on Material from Another MediumGoodfellas (1990)· Nicholas Pileggi
1991Golden GlobeGolden Globes, USABest Director - Motion PictureGoodfellas (1990)
1991Golden GlobeGolden Globes, USABest Screenplay - Motion PictureGoodfellas (1990)· Nicholas Pileggi
1991PGA AwardPGA AwardsOutstanding Producer of Theatrical Motion PicturesThe Grifters (1990)· Robert A. Harris
· Jim Painter
1991USC Scripter AwardUSC Scripter AwardGoodfellas (1990)· Nicholas Pileggi (screenwriter/author)
1991WGA Award (Screen)Writers Guild of America, USABest Screenplay Based on Material from Another MediumGoodfellas (1990)· Nicholas Pileggi
1991CésarCésar Awards, FranceBest Foreign Film (Meilleur film étranger)Goodfellas (1990)
1991DavidDavid di Donatello AwardsBest Foreign Film (Miglior Film Straniero)Goodfellas (1990)
1991DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Motion PicturesGoodfellas (1990)
1991EdgarEdgar Allan Poe AwardsBest Motion PictureGoodfellas (1990)· Nicholas Pileggi
1990Golden LionVenice Film FestivalGoodfellas (1990)
1989OscarAcademy Awards, USABest DirectorThe Last Temptation of Christ (1988)
1987CésarCésar Awards, FranceBest Foreign Film (Meilleur film étranger)After Hours (1985)
1986Palme d'OrCannes Film FestivalAfter Hours (1985)
1984BAFTA Film AwardBAFTA AwardsBest DirectionThe King of Comedy (1982)
1983Palme d'OrCannes Film FestivalThe King of Comedy (1982)
1981Silver RibbonItalian National Syndicate of Film JournalistsBest Foreign Director (Regista del Miglior Film Straniero)Raging Bull (1980)
1981OscarAcademy Awards, USABest DirectorRaging Bull (1980)
1981Golden GlobeGolden Globes, USABest Director - Motion PictureRaging Bull (1980)
1981DavidDavid di Donatello AwardsBest Foreign Director (Migliore Regista Straniero)Raging Bull (1980)
1981DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Motion PicturesRaging Bull (1980)
1977BAFTA Film AwardBAFTA AwardsBest DirectionTaxi Driver (1976)
1977DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Motion PicturesTaxi Driver (1976)
1976Silver RibbonItalian National Syndicate of Film JournalistsBest Foreign Director (Regista del Miglior Film Straniero)Mean Streets (1973)
1976BAFTA Film AwardBAFTA AwardsBest DirectionAlice Doesn't Live Here Anymore (1974)
1975Palme d'OrCannes Film FestivalAlice Doesn't Live Here Anymore (1974)
1974WGA Award (Screen)Writers Guild of America, USABest Drama Written Directly for the ScreenMean Streets (1973)· Mardik Martin
1967Gold HugoChicago International Film FestivalBest FeatureI Call First (1967)

2nd Place Awards

2nd place awards

2nd place awards

YearAwardCeremonyNominationMovieAward shared with
2013Golden SchmoesGolden Schmoes AwardsBest Director of the YearThe Wolf of Wall Street (2013)
2013BSFC AwardBoston Society of Film Critics AwardsBest DirectorThe Wolf of Wall Street (2013)
2012NSFC AwardNational Society of Film Critics Awards, USABest DirectorHugo (2011)
2011ICP AwardIndiewire Critics' PollBest DirectorHugo (2011)
2011LAFCA AwardLos Angeles Film Critics Association AwardsBest DirectorHugo (2011)
2011NYFCC AwardNew York Film Critics Circle AwardsBest DirectorHugo (2011)
2011ACCAAwards Circuit Community AwardsBest DirectorHugo (2011)
2007NSFC AwardNational Society of Film Critics Awards, USABest DirectorThe Departed (2006)
2004LAFCA AwardLos Angeles Film Critics Association AwardsBest DirectorThe Aviator (2004)
2004Seattle Film Critics AwardSeattle Film Critics AwardsBest DirectorThe Aviator (2004)
2004UFCA AwardUtah Film Critics Association AwardsBest DirectorThe Aviator (2004)
2002Golden SchmoesGolden Schmoes AwardsBest Director of the YearGangs of New York (2002)
2002ACCAAwards Circuit Community AwardsBest DirectorGangs of New York (2002)
2002BSFC AwardBoston Society of Film Critics AwardsBest DirectorGangs of New York (2002)
1991DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest DirectorGoodfellas (1990)
1991DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest ScreenplayGoodfellas (1990)· Nicholas Pileggi
1988LAFCA AwardLos Angeles Film Critics Association AwardsBest DirectorThe Last Temptation of Christ (1988)
1980NYFCC AwardNew York Film Critics Circle AwardsBest DirectorRaging Bull (1980)
1977NYFCC AwardNew York Film Critics Circle AwardsBest DirectorTaxi Driver (1976)

3rd Place Awards

3rd place awards

3rd place awards

YearAwardCeremonyNominationMovieAward shared with
2003Critics Choice AwardBroadcast Film Critics Association AwardsBest DirectorGangs of New York (2002)
1994DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest DirectorThe Age of Innocence (1993)


Filmography

Producer

Producer

TitleYearStatusCharacter
The Irishman2018producer pre-production
The Snowman2017executive producer post-production
The Souvenir: Part Iexecutive producer pre-production
The Souvenir: Part IIexecutive producer pre-production
Uncut Gemsexecutive producer pre-production
A Ciambra2017executive producer
Tomorrow2017/IIexecutive producer
Abundant Acreage Available2017executive producer
Long Strange Trip2017Documentary executive producer
Silence2016/Iproducer
Before the Flood2016Documentary executive producer
Free Fire2016executive producer
Bleed for This2016executive producer
Vinyl2016TV Series executive producer - 10 episodes
The Wannabe2015executive producer
Boardwalk Empire2010-2014TV Series executive producer - 56 episodes
Revenge of the Green Dragons2014executive producer
The 50 Year Argument2014Documentary producer
La tercera orilla2014executive producer
Life Itself2014Documentary executive producer
The Wolf of Wall Street2013producer
Peter Gabriel: Live in Athens 19872013executive producer
The Family2013/Iexecutive producer
Glickman2013TV Movie documentary executive producer
Hugo2011producer
Surviving Progress2011Documentary executive producer
George Harrison: Living in the Material World2011Documentary producer
Public Speaking2010Documentary producer
A Letter to Elia2010Documentary producer
Shutter Island2010producer
The Young Victoria2009producer
Lymelife2008executive producer
Picasso and Braque Go to the Movies2008Documentary producer
Val Lewton: The Man in the Shadows2007TV Movie documentary producer
American Masters2005TV Series documentary producer - 1 episode
Something to Believe In2004Documentary executive producer
The Aviator2004executive producer - uncredited
Frankenstein2004TV Movie executive producer
Nyfes2004executive producer
Lightning in a Bottle2004Documentary executive producer
Lady by the Sea: The Statue of Liberty2004TV Movie documentary producer
The Blues2003TV Series documentary executive producer - 1 episode
The Soul of a Man2003Documentary executive producer
Deuces Wild2002executive producer - uncredited
Rain2001/Iexecutive producer
You Can Count on Me2000executive producer
The Hi-Lo Country1998producer
Kicked in the Head1997executive producer
Grace of My Heart1996executive producer
Clockers1995producer
Eric Clapton: Nothing But the Blues: An 'In the Spotlight Special'1995TV Movie executive producer
A Personal Journey with Martin Scorsese Through American Movies1995TV Movie documentary producer - uncredited
Search and Destroy1995executive producer
Con gli occhi chiusi1994executive producer
Naked in New York1993executive producer
Mad Dog and Glory1993producer
PoV1990Video documentary executive producer
The Grifters1990producer
Medicine Ball Caravan1971Documentary associate producer
Item 72-D: The Adventures of Spa and Fon1970Short consulting producer
The Big Shave1968Short producer
Vesuvius VI1959Short producer

Director

Director

TitleYearStatusCharacter
The Irishman2018pre-production
Silence2016/I
Vinyl2016TV Series 1 episode
The Audition2015/IIIShort
The 50 Year Argument2014Documentary
The Wolf of Wall Street2013
Hugo2011
George Harrison: Living in the Material World2011Documentary
Public Speaking2010Documentary
Boardwalk Empire2010TV Series 1 episode
A Letter to Elia2010Documentary
Shutter Island2010
Shine a Light2008Documentary
The Key to Reserva2007Short
The Departed2006
American Masters2005TV Series documentary 1 episode
The Aviator2004
Lady by the Sea: The Statue of Liberty2004TV Movie documentary
Michael Jackson: Number Ones2003Video documentary video "Bad"
The Blues2003TV Series documentary 1 episode
Gangs of New York2002
The Neighborhood2001Short
The Concert for New York City2001TV Special documentary segment "The Neighborhood"
Bringing Out the Dead1999
My Voyage to Italy1999Documentary
Kundun1997
Casino1995
Michael Jackson: Video Greatest Hits - HIStory1995Video documentary video "Bad"
A Personal Journey with Martin Scorsese Through American Movies1995TV Movie documentary
The Age of Innocence1993
Cape Fear1991
The King of Ads1991Documentary
Made in Milan1990Short documentary
Goodfellas1990
New York Stories1989segment "Life Lessons"
Location Production Footage: The Last Temptation of Christ1988Video documentary short
The Last Temptation of Christ1988
Michael Jackson: Bad1987Video short
The Color of Money1986
Amazing Stories1986TV Series 1 episode
After Hours1985
The King of Comedy1982
Raging Bull1980
American Boy: A Profile of: Steven Prince1978Documentary
The Last Waltz1978Documentary
New York, New York1977
Taxi Driver1976
Alice Doesn't Live Here Anymore1974
Italianamerican1974Documentary
Mean Streets1973
Boxcar Bertha1972
Street Scenes1970Documentary
The Big Shave1968Short
I Call First1967
New York City... Melting Point1966Documentary
It's Not Just You, Murray!1964Short
What's a Nice Girl Like You Doing in a Place Like This?1963Short
Vesuvius VI1959Short

Actor

Actor

TitleYearStatusCharacter
'Round Midnight1986Goodley
After Hours1985Club Berlin Searchlight Operator (uncredited)
Anna Pavlova1983TV SeriesGatti-Cassaza
The King of Comedy1982TV Director
Raging Bull1980Barbizon Stagehand
Il pap'occhio1980TV director
Cannonball!1976Mafioso
Taxi Driver1976Passenger Watching Silhouette
Mean Streets1973Jimmy Shorts (uncredited)
Boxcar Bertha1972Brothel Client (uncredited)
I Call First1967Gangster (uncredited)
The Audition2015/IIIShortMartin Scorsese
Campus Code2015Doctor
Jimmy Kimmel Live!2014TV SeriesGuillermo Uno-on-Uno
Hugo2011Photographer (uncredited)
30 Rock2009TV SeriesMartin Scorsese
Entourage2008TV SeriesMartin Scorsese
Club Oscar2005ShortSykes (voice)
The Aviator2004Hell's Angels Projectionist / Man on Red Carpet (voice, uncredited)
Shark Tale2004Sykes (voice)
Gangs of New York2002Wealthy Homeowner (uncredited)
Curb Your Enthusiasm2002TV SeriesMartin Scorsese
Bringing Out the Dead1999Dispatcher (voice)
The Muse1999Martin Scorsese
Search and Destroy1995The Accountant
Quiz Show1994Martin Rittenhome
The Age of Innocence1993Photographer (uncredited)
Guilty by Suspicion1991Joe Lesser
The Grifters1990Opening Voice-over (voice, uncredited)
Dreams1990Vincent Van Gogh
New York Stories1989Man Having Picture Taken with Lionel Dobie (segment "Life Lessons") (uncredited)
The Color of Money1986Opening Voiceover (voice, uncredited)

Writer

Writer

TitleYearStatusCharacter
Silence2016/Iscreenplay by
VinylTV Series created by - 10 episodes, 2016 story by - 1 episode, 2016
I Call First20151967 screenplay "Who's That Knocking at My Door"
A Letter to Elia2010Documentary
Lady by the Sea: The Statue of Liberty2004TV Movie documentary
My Voyage to Italy1999Documentary writer
Casino1995screenplay
A Personal Journey with Martin Scorsese Through American Movies1995TV Movie documentary
The Age of Innocence1993screenplay
Goodfellas1990screenplay
Mean Streets1973screenplay / story
Bezeten - Het gat in de muur1969writer
The Big Shave1968Short written by
I Call First1967written by
New York City... Melting Point1966Documentary
It's Not Just You, Murray!1964Short written by
What's a Nice Girl Like You Doing in a Place Like This?1963Short written by

Miscellaneous

Miscellaneous

TitleYearStatusCharacter
Afternoon of a Faun: Tanaquil Le Clercq2013Documentary project advisor
The Loving Story2011Documentary advisor
Gomorrah2008presenter: USA release
Brooklyn Lobster2005presenter
Love's Labour's Lost2000presenter: US release
Rough Magic1995presenter
Elvis on Tour1972Documentary montage supervisor

Editor

Editor

TitleYearStatusCharacter
AFI Life Achievement Award: A Tribute to Robert De Niro2003TV Movie
Medicine Ball Caravan1971Documentary uncredited
Woodstock1970Documentary
Reflections1969
The Big Shave1968Short
New York City... Melting Point1966Documentary

Camera Department

Camera Department

TitleYearStatusCharacter
My Voyage to Italy1999Documentary still photographer
Inesita1963photographer

Cinematographer

Cinematographer

TitleYearStatusCharacter
Vesuvius VI1959Short

Assistant Director

Assistant Director

TitleYearStatusCharacter
Woodstock1970Documentary assistant director

Editorial Department

Editorial Department

TitleYearStatusCharacter
The Unholy Rollers1972supervising editor

Sound Department

Sound Department

TitleYearStatusCharacter
Minnie and Moskowitz1971sound effects editor - uncredited

Thanks

Thanks

TitleYearStatusCharacter
Auer2017Short special thanks completed
Forgotten Sunset2016Short special thanks completed
Jesus Walks: Klan Wars2016Short special thanks post-production
John G. Avildsen: King of the Underdogs2017Documentary special thanks
De Palma2015Documentary special thanks
Love2015/IIthe director thanks
An Act of War2015very special thanks
Dans met de Duivel2015special thanks
Me and Earl and the Dying Girl2015special thanks
The Town That Dreaded Sundown2014thanks
Dirty Cops: Ta Batsonia: A Greek Novel About Crisis2014Video following his style in the description of the movie / thanks
Life Itself2014Documentary special thanks
Lords of London2014special thanks: for inspiration
That's Life!! Kilorenzos Smith in Talks...2013TV Series documentary inspiration - 1 episode
Bai niao chao feng2013special thanks
Since I Don't Have You2013very special thanks
Life Lessons2013Video short very special thanks
Dead on Arrival2013very special thanks
Finding Francis2012Documentary very special thanks
Crossfire Hurricane2012Documentary very special thanks
Tráiganme la Cabeza de la Mujer Metralleta2012acknowledgment
Funny Show Part Two: The Video - Movie2012Video inspiration
The Last Anarchist2012Short thanks
Dream Job2012Short the producers wish to thank
Sacha Baron Cohen: Role of a Lifetime2012Video short special thanks
Shoot the Moon: The Making of 'Hugo'2012Video short special thanks
The Cinemagician, Georges Méliès2012Video short special thanks
The Mechanical Man at the Heart of 'Hugo'2012Video short special thanks
Below the Line2011special thanks
Tranny Trainer2011Short thanks
The Extraordinary Voyage2011Documentary many thanks
Rusted Pyre2011Short thanks
Desperate Times2011/IShort special thanks
Variations on a High School Romance2010inspirational thanks
If I Needed Someone2010Short special thanks
Dream House2009Video short special thanks
Possession(s)2009thanks for inspiration
Taking Woodstock2009thanks
The Mother of Invention2009special thanks
Anytown2009thanks
Northern Lights2009Documentary special thanks for inspiration
Azteca: La piedra del sol2009Documentary special thanks
Boomin' Granny2008Video documentary short special thanks
Exact Bus Fare2008Short very special thanks
Stupa-Man2008special thanks
Broadway Bound2008Short special thanks
The Artist as a Young Man: A Portrait of Cameron Fairchild2008Short special thanks
Ten Dead Men2008inspiration: thanks and love to the works of
Crossing Criminal Cultures2007Video documentary short special thanks
What's My Favorite Place?2006Video short very special thanks
Alpha Dog2006thanks - as Marty Scorsese
The Roaring Twenties: The World Moves On2005Video documentary short special thanks
Flat2005/IShort special thanks
Casino: After the Filming2005Video documentary short special thanks
Casino: The Cast and Characters2005Video documentary short special thanks
Casino: The Look2005Video documentary short special thanks
Casino: The Story2005Video documentary short special thanks
The Eye of the Beholder2005Video documentary short special thanks
Filming for Your Life: Making 'After Hours'2004Video documentary short special thanks
Scorsese on Scorsese2004TV Movie documentary acknowledgment: still photographs provided by
Getting Made: The Making of 'GoodFellas'2004Video documentary short special thanks
The Workaday Gangster2004Video documentary short special thanks
From the Classroom to the Streets: The Making of 'Who's That Knocking at My Door'2004Video documentary short special thanks
Second Chances: The Making of 'Alice Doesn't Live Here Anymore'2004Video documentary short special thanks
Discovering Treasure: The Story of the Treasure of the Sierra Madre2003Video documentary special thanks
A Shot at the Top: The Making of 'The King of Comedy'2002Video documentary short special thanks
American Jedi2002Short special thanks
Russkiy kovcheg2002special thanks: for support
American Masters2000TV Series documentary thanks - 1 episode
Fast Food2000/IShort special thanks
The Directors2000TV Series documentary acknowledgment - 1 episode
Making 'Taxi Driver'1999Video documentary special thanks
Dogma1999humble thanks
Drive1998/IShort special thanks
Suicide King1997Short special thanks
Dickwad1994Short special thanks
Trevor1994Short thanks
The War Room1993Documentary very special thanks - as Martin Scorcese
Music for the Movies: Bernard Herrmann1992Documentary thanks
Lawrence of Arabia1962special thanks - 1989 restoration

Self

Self

TitleYearStatusCharacter
The Kennedy Center Honors: A Celebration of the Performing Arts2007TV SpecialHimself - Honoree
La Marató 20072007TV SpecialHimself
The Key to Reserva2007ShortHimself (uncredited)
Movies Rock2007TV MovieHimself
Caiga quien caiga2007TV SeriesHimself
Bienvenue à Cannes2007DocumentaryHimself
Mr. Warmth: The Don Rickles Project2007DocumentaryHimself
Glass: A Portrait of Philip in Twelve Parts2007DocumentaryHimself
Val Lewton: The Man in the Shadows2007TV Movie documentaryNarrator (voice)
Martin Scorsese on 'Taxi Driver'2007Video documentary shortHimself
AFI's 100 Years... 100 Movies: 10th Anniversary Edition2007TV Movie documentaryHimself
In the Company of Actors2007DocumentaryHimself
Painting with Light2007Video documentary shortHimself
L'hebdo cinéma2007TV Series documentaryHimself
Late Review2007TV SeriesHimself
Brando2007TV Movie documentaryHimself
2007 CMT Music Awards2007TV SpecialHimself
Scorsese on Imamura2007TV Movie documentaryHimself
ITV Lunchtime News2007TV SeriesHimself - Oscar Winner
E! Live from the Red Carpet2007TV SeriesHimself
The 79th Annual Academy Awards2007TV SpecialHimself - Winner: Best Director
Crossing Criminal Cultures2007Video documentary shortHimself
Stranger Than Fiction: The True Story of Whitey Bulger, Southie and 'The Departed'2007Video documentary shortHimself
The 12th Annual Critics' Choice Awards2007TV SpecialHimself
The 64th Annual Golden Globe Awards2007TV SpecialHimself - Winner: Best Director
The Departed: The Inspiration2007Video documentary shortHimself
Corazón de...2006TV SeriesHimself - Interviewee
Late Night with Conan O'Brien1996-2006TV SeriesHimself - Guest
HBO First Look2004-2006TV Series documentary shortHimself
Gangsters: The Immigrant's Hero2006Video documentary shortHimself
Stool Pigeons and Pine Overcoats: The Language of Gangster Films2006Video documentary shortHimself
Welcome to the Big House2006Video documentary shortHimself
Molls and Dolls: The Women of Gangster Films2006Video documentary shortHimself
Morality and the Code: A How-to Manual for Hollywood2006Video documentary shortHimself
Edge of Outside2006DocumentaryHimself
The Searchers: An Appreciation2006Video shortHimself
The 65th Annual Peabody Awards2006TV SpecialHimself - Winner
The Real Goodfella2006TV Movie documentaryHimself
Hollywood Greats2006TV Series documentaryHimself
The Passion: Films, Faith & Fury2006TV Movie documentaryHimself
The World's Greatest Actor2006TV Movie documentaryHimself
Beer and Blood: Enemies of the Public2005Video documentary shortHimself
By Any Means Necessary: The Making of 'Malcolm X'2005Video documentary shortHimself
Little Caesar: End of Rico, Beginning of the Antihero2005Video documentary shortHimself
The Roaring Twenties: The World Moves On2005Video documentary shortHimself
White Heat: Top of the World2005Video documentary shortHimself
Martin Scorsese, l'émotion par la musique2005DocumentaryHimself
Movies That Shook the World2005TV Series documentaryHimself
François Girard en trois actes2005DocumentaryHimself
Artworks Scotland2005TV Series documentaryHimself - Interviewee
Casino: After the Filming2005Video documentary shortHimself
Casino: The Cast and Characters2005Video documentary shortHimself
Casino: The Look2005Video documentary shortHimself
Casino: The Story2005Video documentary shortHimself
A Life Without Limits: The Making of 'The Aviator'2005Video documentary shortHimself
2nd Annual Directors Guild of Great Britain DGGB Awards2005VideoHimself - Nominee
The 77th Annual Academy Awards2005TV SpecialHimself - Presenter: Hersholt Award to Roger Mayer
The Culture Show2005TV Series documentaryHimself
The Orange British Academy Film Awards2005TV Movie documentaryHimself
Raging Bull: After the Fight2005Video documentary shortHimself
Raging Bull: Inside the Ring2005Video documentary shortHimself
Raging Bull: Outside the Ring2005Video documentary shortHimself
Star Fish of 'Shark Tale'2005Video documentary shortHimself
The 62nd Annual Golden Globe Awards2005TV Special documentaryHimself - Nominee: Best Director
Only in LA2005TV SeriesHimself
Biography1995-2005TV Series documentaryHimself / Himself - Director
Liza on 'New York, New York'2005Video documentary shortHimself
The Eye of the Beholder2005Video documentary shortHimself
The New York, New York Stories2005Video documentaryHimself
Filming for Your Life: Making 'After Hours'2004Video documentary shortHimself - Director (voice)
Just the Facts2004TV Movie documentaryHimself - Director
Friday Night with Jonathan Ross2004TV SeriesHimself - Guest
Imagine2004TV Series documentaryHimself
Scorsese on Scorsese2004TV Movie documentaryHimself - Interviewee
Dinner for Five2004TV SeriesHimself
The Oprah Winfrey Show2004TV SeriesHimself - Guest
The Cutting Edge: The Magic of Movie Editing2004DocumentaryHimself
Shark Tale: Gettin' Fishy with It2004TV MovieHimself
Tanner on Tanner2004TV SeriesHimself
A Legacy of Filmmakers: The Early Years of American Zoetrope2004Video documentaryHimself
Film School2004TV SeriesHimself
Il cineasta e il labirinto2004DocumentaryHimself
Cecil B. DeMille: American Epic2004TV Movie documentaryHimself - Interviewee
Tinseltown TV2004TV SeriesHimself
Lightning in a Bottle2004DocumentaryHimself (uncredited)
Raging Bull: Before the Fight2004Video documentary shortHimself
E! True Hollywood Story2004TV Series documentaryHimself - Interviewee
Lady by the Sea: The Statue of Liberty2004TV Movie documentaryHimself - Host / Narrator
The 100 Scariest Movie Moments2004TV Mini-Series documentaryHimself
Tribeca Film Festival Awards2004TV SpecialHimself - Presenter
Discovering Treasure: The Story of the Treasure of the Sierra Madre2003Video documentaryHimself - Director
The Blues2003TV Series documentaryHimself
Charlie: The Life and Art of Charles Chaplin2003DocumentaryHimself - Director
The Song of the Little Road2003DocumentaryHimself
Tribeca Film Festival Presents2003TV Movie documentaryHimself
AFI Life Achievement Award: A Tribute to Robert De Niro2003TV MovieHimself
Spike Lee's '25th Hour': The Evolution of an American Filmmaker2003Video documentary shortHimself
The 100 Greatest Movie Stars2003TV Movie documentaryHimself
The 75th Annual Academy Awards2003TV SpecialHimself - Nominee: Best Director
The Tonight Show with Jay Leno1993-2003TV SeriesHimself - Guest
The John Garfield Story2003TV Movie documentaryHimself
Larry King Live2003TV SeriesHimself - Guest
A Decade Under the Influence2003DocumentaryHimself
The 60th Annual Golden Globe Awards2003TV SpecialHimself - Winner: Best Director
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood2003DocumentaryHimself
Richard & Judy2003TV SeriesHimself - Guest
A Shot at the Top: The Making of 'The King of Comedy'2002Video documentary shortHimself - Director
Revisiting 'The Last Waltz'2002Video documentary shortHimself
The Life of Brian2002Himself
Inside the Actors Studio2002TV SeriesHimself - Guest
Late Show with David Letterman1995-2002TV SeriesHimself - Guest / Himself
Forever Ealing2002TV Movie documentaryHimself - Interviewee
History vs. Hollywood2002TV Series documentaryHimself
Mario Monicelli, l'artigiano di Viareggio2002Himself
All the Love You Cannes!2002DocumentaryHimself (uncredited)
Politically Incorrect2002TV SeriesHimself
New York at the Movies2002TV Movie documentaryHimself
Saving Egyptian Film Classics2002DocumentaryHimself
The Magic of Fellini2002TV Movie documentaryHimself
Uncovering the Real Gangs of New York2002TV Movie documentaryHimself
With the Filmmaker: Portraits by Albert Maysles2001TV Series documentaryHimself
The Making of 'Cape Fear'2001/IVideo documentaryHimself
AFI's 100 Years... 100 Thrills: America's Most Heart-Pounding Movies2001TV Special documentaryHimself
Stanley Kubrick: A Life in Pictures2001DocumentaryHimself
Roberto Rossellini: Frammenti e battute2000DocumentaryHimself
The Beatles Revolution2000TV Movie documentaryHimself
The Directors1999-2000TV Series documentaryHimself
King Cohen: The Wild World of Filmmaker Larry CohenDocumentary post-productionHimself
Siskel & Ebert1998-2000TV SeriesHimself - Guest Host / Himself
Martin Scorsese: True Confessions2017TV Short documentaryHimself
La nuit des Césars2000TV Series documentaryHimself - Himself - César d'honneur - Duplex)
John G. Avildsen: King of the Underdogs2017DocumentaryHimself
Making of Bringing Out the Dead1999TV Movie documentaryHimself
National Endowment for the Arts: United States of Arts2017TV Series documentary shortHimself
American Experience1999TV Series documentaryHimself
Stupéfiant!2017TV SeriesHimself
My Voyage to Italy1999DocumentaryHost
Rumble: The Indians Who Rocked The World2017DocumentaryHimself
New York: A Documentary Film1999TV Series documentaryHimself - Commentator
Good Morning America2012-2017TV SeriesHimself / Himself - Guest
Mother-Tongue: Italian American Sons & Mothers1999TV Movie documentaryHimself
Made in Hollywood2016TV SeriesHimself
Making 'Taxi Driver'1999Video documentaryHimself - Director
Extra2016TV SeriesHimself
The Century: America's Time1999TV Mini-Series documentaryHimself
Channel 4 News2016TV SeriesHimself
The 71st Annual Academy Awards1999TV SpecialHimself - Presenter: Honorary Award
Taxi Driver: 40th Anniversary Cast Q&A2016Video documentary shortHimself
Bravo Profiles: The Entertainment Business1998TV Mini-Series documentaryHimself
Friar's Club Entertainment Icon Award Event Ceremony Honoring Martin Scorsese2016TV MovieHimself
With Friends Like These...1998Himself
Lumière!2016DocumentaryHimself
In Search of Kundun with Martin Scorsese1998DocumentaryHimself
Cinema Futures2016DocumentaryHimself
One Vision1998DocumentaryHimself
Jerry Lewis: The Man Behind the Clown2016DocumentaryHimself
AFI's 100 Years... 100 Movies: In Search of1998TV Special documentaryHimself
Ken San2016DocumentaryHimself
AFI's 100 Years... 100 Movies: America's Greatest Movies1998TV Special documentaryHimself
Today2008-2016TV SeriesHimself - Guest
Continuarà...1998TV SeriesHimself - Interviewee
The Tonight Show Starring Jimmy Fallon2014-2016TV SeriesHimself - Guest
Scene by Scene1998TV SeriesHimself
French cinema mon amour2015TV Movie documentaryHimself
The 70th Annual Academy Awards1998TV SpecialHimself - Presenter: Honorary Award
38th Annual Kennedy Center Honors2015TV SpecialHimself - Presenter
Frank Capra's American Dream1997TV Movie documentaryHimself - Interviewee: Director
Le grand journal de Canal+2010-2015TV Series documentaryHimself
Obsessed with Vertigo1997TV Short documentaryHimself
Mifune: The Last Samurai2015DocumentaryHimself
Frontline1997TV Series documentaryHimself
Behind the White Glasses2015Documentary
The Race to Save 100 Years1997DocumentaryHimself
The Daily Show2011-2015TV SeriesHimself / Himself - Guest
AFI Life Achievement Award: A Tribute to Martin Scorsese1997TV Special documentaryHimself - Honoree
Tom Cruise: Show Me the Movies2015TV Movie documentaryHimself
The Typewriter, the Rifle & the Movie Camera1996DocumentaryHimself
The Third Man: A Filmmaker's Influence2015Documentary shortHimself
La mémoire retrouvée1996TV Movie documentaryDirector
This Is Orson Welles2015DocumentaryHimself
The Annual Artists Rights Foundation Honors Martin Scorsese1996TV MovieHimself - Winner: John Huston Award
Hitchcock/Truffaut2015DocumentaryHimself
The Making of 'My Fair Lady'1995Video documentaryHimself
La légende de la palme d'or2015TV Movie documentaryHimself
Wild Bill: Hollywood Maverick1995DocumentaryHimself
Scorsese's Goodfellas2015Video documentaryHimself
The First 100 Years: A Celebration of American Movies1995TV Movie documentaryHimself
Magician: The Astonishing Life and Work of Orson Welles2014DocumentaryHimself
Robbie Robertson: Going Home1995TV Movie documentaryHimself
Side by Side Extra: Volume Five2014DocumentaryHimself
A Personal Journey with Martin Scorsese Through American Movies1995TV Movie documentaryHimself - Narrator / Host
Don Rickles: One Night Only2014TV SpecialHimself
The Annual Artist Rights Foundation Honors Steven Spielberg1995TV MovieHimself - Speaker
2014 MTV Movie Awards2014TV SpecialHimself - Cameo #25
American Cinema1995TV Series documentaryHimself
A Conversation with Martin Scorsese, Robert DeNiro and Jerry Lewis2014Video documentary shortHimself
Everybody Just Stay Calm1994DocumentaryHimself
The 86th Annual Academy Awards2014TV SpecialHimself - Nominee: Best Picture & Best Director
Hi Octane1994TV SeriesHimself
The EE British Academy Film Awards2014TV SpecialHimself
The Essence Awards1994TV SpecialHimself
Conan2014TV SeriesHimself - Guest
The 9th Annual ASC Awards1994TV SpecialHimself - Winner: Board of Governors Award
Life Itself2014DocumentaryHimself
I Know Where I'm Going! Revisited1994TV Movie documentaryHimself - Interviewee
19th Annual Critics' Choice Movie Awards2014TV SpecialHimself - Nominee (credit only)
Jonas in the Desert1994DocumentaryHimself
2014 Golden Globe Arrivals Special2014TV SpecialHimself (uncredited)
The 51st Annual Golden Globe Awards1994TV SpecialHimself - Nominee
Newsnight2014TV SeriesHimself
Cinéma, de notre temps1993TV Series documentaryHimself
Access Hollywood2014TV SeriesHimself - Guest
L'encyclopédie audio-visuelle1993TV Series documentaryHimself
The Hollywood Reporter in Focus2013TV SeriesHimself
Music for the Movies: Bernard Herrmann1992DocumentaryHimself
Rencontres de cinéma2013TV SeriesHimself
Oliver Stone: Inside Out1992TV Movie documentaryHimself
Charlie Rose1995-2013TV SeriesHimself - Guest
The Late Show1992TV Series documentaryHimself
House of Wax: Unlike Anything You've Ever Seen2013Video documentaryHimself
Innocence and Experience: The Making of 'The Age of Innocence'1992TV Movie documentaryHimself
Trespassing Bergman2013DocumentaryHimself - Interviewee
Reflections on 'Citizen Kane'1991TV Short documentaryHimself
One Direction: This Is Us2013DocumentaryHimself (uncredited)
Late Night with David Letterman1982-1991TV SeriesHimself - Guest
AFI Life Achievement Award: A Tribute to Mel Brooks2013TV SpecialHimself
The 63rd Annual Academy Awards1991TV SpecialHimself - Nominee: Best Director & Best Adapted Screenplay
Seduced and Abandoned2013DocumentaryHimself
AFI Life Achievement Award: A Tribute to David Lean1990TV SpecialHimself (uncredited)
Eastwood Directs: The Untold Story2013DocumentaryHimself
Siskel & Ebert: The Future of the Movies1990TV MovieHimself
Milius2013DocumentaryHimself
The 62nd Annual Academy Awards1990TV SpecialHimself - Presenter: Best Director
John Ford et Monument Valley2013DocumentaryHimself
Hollywood Mavericks1990DocumentaryHimself
Boxing at the Movies: Kings of the Ring2013DocumentaryHimself
The Media Show1988-1990TV Series documentaryHimself
Martin Scorsese and Kent Jones on 'On the Waterfront'2013Video documentary shortHimself
First Works1989TV Movie documentaryHimself
National Television Awards2013TV SpecialHimself
Wunderbare Visionen auf dem Weg zur Hölle - Das Kino und die Kämpfe des Martin Scorsese1989TV Movie documentaryHimself
The Lure of the Desert: Martin Scorsese on Lawrence of Arabia2013Video documentary shortHimself
Moving Image Salutes Sidney Poitier1989TV MovieHimself
A Letter to Marty2012ShortHimself (uncredited)
Location Production Footage: The Last Temptation of Christ1988Video documentary shortHimself
Great Performances1991-2012TV SeriesHimself
Michael Jackson: The Legend Continues1988Video documentaryHimself
Stanley Kubrick in Focus2012ShortHimself
Talking Pictures1988TV Series documentaryHimself
Arena1981-2012TV Series documentaryHimself
Hammer: The Studio That Dripped Blood!1987TV Movie documentaryHimself - Film Director
Casting By2012DocumentaryHimself
Hollywood Uncensored1987DocumentaryHimself
Bad 252012DocumentaryHimself
Long Live the New Flesh: The Films of David Cronenberg1987TV Movie documentaryHimself
Piers Morgan Tonight2012TV SeriesHimself - Guest
Cinéma cinémas1983TV Series documentaryHimself
Saturday Night Live1991-2012TV SeriesHimself
The 53rd Annual Academy Awards1981TV SpecialHimself - Nominee: Best Director
Sacha Baron Cohen: Role of a Lifetime2012Video shortHimself (uncredited)
The South Bank Show1981TV Series documentaryHimself
Shoot the Moon: The Making of 'Hugo'2012Video shortHimself
American Boy: A Profile of: Steven Prince1978DocumentaryHimself
The Cinemagician, Georges Méliès2012Video shortHimself
The Dick Cavett Show1978TV SeriesHimself - Guest
The Mechanical Man at the Heart of 'Hugo'2012Video shortHimself
The Last Waltz1978DocumentaryHimself - Interviewer
Jimmy Kimmel Live!2012TV SeriesHimself - Guest
Roger Corman: Hollywood's Wild Angel1978DocumentaryHimself
The 84th Annual Academy Awards2012TV SpecialHimself - Nominee: Best Director & Co-Nominee: Best Picture
The Merv Griffin Show1977TV SeriesHimself - Guest
Janela Indiscreta2012TV SeriesHimself
The Mike Douglas Show1977TV SeriesHimself - Guest
The Orange British Academy Film Awards2012TV SpecialHimself
AFI Life Achievement Award: A Tribute to Bette Davis1977TV Special documentaryHimself (uncredited)
Side by Side2012DocumentaryHimself
Apropos Film1976TV Series documentaryHimself
CBS News Sunday Morning2012TV SeriesHimself - Guest
The 47th Annual Academy Awards1975TV SpecialHimself - Accepting Best Actress Award for Ellen Burstyn
The 69th Annual Golden Globe Awards2012TV SpecialHimself - Winner & Nominee
Italianamerican1974DocumentaryHimself (uncredited)
17th Annual Critics' Choice Movie Awards2012TV SpecialHimself
Martin Scorsese: Back on the Block1973Documentary shortHimself
10th Annual Visual Effects Society Awards2012TV SpecialHimself
Street Scenes1970DocumentaryInterviewer
Bergmans video2012TV Mini-Series documentaryHimself / Himself (2012)
DGA Moments in Time2011ShortHimself
American Masters1990-2011TV Series documentaryHimself / Himself - Interviewee / Himself - Director
The 63rd Primetime Emmy Awards2011TV SpecialHimself - Winner: Outstanding Directing for a Drama Series & Co-Nominee: Outstanding Drama Series
Kurosawa's Way2011DocumentaryHimself
Unauthorized: The Harvey Weinstein Project2011DocumentaryHimself
Corman's World: Exploits of a Hollywood Rebel2011DocumentaryHimself
Marty & Bobby2011Video documentary shortHimself
Marty on Film2011Video documentary shortHimself
Cinema 32007-2010TV SeriesHimself - Interviewee
Embracing Chaos: Making the African Queen2010Video documentaryHimself
BFI London Film Festival Awards2010TV SpecialHimself - Presenter
Dante Ferretti: Scenografo italiano2010DocumentaryHimself
A Letter to Elia2010DocumentaryHimself - Narrator
Shutter Island: Behind the Shutters2010Video documentary shortHimself
Shutter Island: Into the Lighthouse2010Video documentary shortHimself
Gilles Jacob: CIitizen Cannes2010TV Movie documentaryHimself (uncredited)
Stones in Exile2010DocumentaryHimself
Festival international de Cannes1998-2010TV SeriesHimself
Cameraman: The Life and Work of Jack Cardiff2010DocumentaryHimself - Interviewee
...Men filmen är min älskarinna2010DocumentaryHimself
Breakfast2010TV SeriesHimself - Guest
Face 2 Face2010TV SeriesHimself
Días de cine1996-2010TV SeriesHimself - Interviewee
Entertainment Tonight2008-2010TV SeriesHimself
Fantástico2010TV Series documentaryHimself
The Fabulous Picture Show2010TV SeriesHimself
The Tonight Show with Conan O'Brien2010TV SeriesHimself - Guest
The 67th Annual Golden Globe Awards2010TV SpecialHimself - Cecil B. DeMille Award Recipient
Dreaming the Quiet Man2010DocumentaryHimself
Letterbox2009TV Short documentaryHimself - Director / Producer
The Kennedy Center Honors: A Celebration of the Performing Arts2009TV SpecialHimself
The Master's Touch: Hitchcock's Signature Style2009Video documentaryHimself
The 66th Annual Golden Globe Awards2009TV SpecialHimself - Presenter: Cecil B. DeMille Award
Martin Scorsese on Age of Consent2009Video documentary shortHimself
Scorsese on 'A Matter of Life and Death'2009Video documentary shortHimself
Public Enemies: The Golden Age of the Gangster Film2008TV Movie documentaryHimself
Bernard Herrmann: Hitchcock's Maestro2008Video shortHimself
In the Master's Shadow: Hitchcock's Legacy2008Video documentaryHimself
Pure Cinema: Through the Eyes of the Master2008Video documentaryHimself
Saul Bass: Title Champ2008Video shortHimself
Picasso and Braque Go to the Movies2008DocumentaryHimself
60 Minutes2008TV Series documentaryHimself - Director (segment "Alec Baldwin")
Les derniers révoltés d'Hollywood2008DocumentaryHimself
The Rolling Stones: Shine a Light Movie Special2008TV Movie documentaryHimself
Mardik: Baghdad to Hollywood2008DocumentaryHimself
The 80th Annual Academy Awards2008TV SpecialHimself - Presenter
Artour2008TV SeriesHimself
La 2 noticias2008TV SeriesHimself - Interviewee
Shine a Light2008DocumentaryHimself (uncredited)

Archive Footage

Archive Footage

TitleYearStatusCharacter
Extra2015-2016TV SeriesHimself
Film '722015TV SeriesHimself - Interviewee
Cinéast(e)s2015TV Series documentaryHimself
Sinatra: All or Nothing at All2015TV Mini-Series documentaryHimself
Entertainment Tonight2014TV SeriesHimself
2nd Indie Fest of YouTube Videos 20142014TV MovieHimself
Alfonso Sansone produttore per caso2014
Welcome to the Basement2014TV SeriesHimself
And the Oscar Goes To...2014TV Movie documentaryHimself
Cinéphiles de notre temps2012TV Series documentaryHimself
The 2012 Comedy Awards2012TV SpecialHimself
Samsung AACTA Awards2012TV SpecialHimself - Producer
The Story of Film: An Odyssey2011TV Mini-Series documentaryHimself
Dai nostri inviati: La Rai racconta la Mostra del cinema 1968-19792011TV Movie documentaryHimself
Close Up2011TV SeriesHimself
60 Minutes2008-2009TV Series documentaryHimself - Director (segment "Alec Baldwin")
David Lean in Close-Up2009TV Movie documentaryHimself
Filmania: Eiga no tatsujin2009TV SeriesHimself
Oscar, que empiece el espectáculo2008TV Movie documentaryHimself
Beyond Wiseguys: Italian Americans & the Movies2008DocumentaryHimself
La rentadora2007TV SeriesHimself
British Film Forever2007TV Mini-Series documentaryHimself
Cannes, 60 ans d'histoires2007TV Movie documentaryHimself
La tele de tu vida2007TV SeriesHimself
Manufacturing Dissent2007DocumentaryHimself (uncredited)
Incompleto2006Himself
La imagen de tu vida2006TV SeriesHimself
E! True Hollywood Story2006TV Series documentaryHimself
The Erroneous Earth Kitchen2006Documentary shortHimself
Cinema mil2005TV SeriesHimself
History vs. Hollywood2004TV Series documentaryHimself
MovieReal: The Aviator2004TV Series documentary
Getting Made: The Making of 'GoodFellas'2004Video documentary shortHimself - Director
The Workaday Gangster2004Video documentary shortHimself - Director
Final Cut: The Making and Unmaking of Heaven's Gate2004DocumentaryHimself
Épreuves d'artistes2004TV Movie documentaryHimself
Michael Moore, el gran agitador2004TV Short documentaryHimself
The Award Show Awards Show2003TV Special documentaryHimself
Making Life Beautiful1999TV Short documentaryHimself
Saturday Night Live: The Best of Chris Farley1998TV Movie documentaryHimself (uncredited)

Is Martin Scorsese's Net Worth Deserved?