It’s been announced that Johnny Galecki net worth reaches 7 million dollars. In addition, the celebrity is said to have 250 thousand dollars as his wages for each and every episode he appears in. Such sum of money increases the overall level of Johnny Galecki net-worth a lot. Johnny Galecki is known to the people because of his several notable roles in films and television productions. One of them is his role as David Healy in the TV show called “Roseanne” that will be broadcasted to the ABC channel and is seen one of the most productive channel’s TV shows. Additionally, Johnny Galecki is recognized as an actor who portrayed a character of Rusty Griswold in “National Lampoon’s Christmas Vacation”. He has also appeared within the TV series called “The Big Bang Theory” where he portrayed a role of Leonard Hofstatder. The television show is known worldwide and brings a huge number of dollars for the entire amount of Johnny Galecki net worth.
Johnny Galecki Net-Worth – 7 Million Dollars
Even though he’s thought of as an American actor, Johnny Galecki was born in Belgium. His mother worked as his father and a mortgage consultant was enrolled in the United States Air Force founded in Belgium. In addition, his dad was a teacher of rehabilitation. Where he spent most of his own childhood, after the performer was three years of age, his entire family moved to Illinois, the USA. In one of his own interviews, Johnny Galecki stated that after he was tiny, he used to talk a lot and made up a lot of stories that were not really true. Therefore, his mother invented a game of silence when they were told to learn how long little Johnny Galecki could keep silent. Additionally, Johnny Galecki maintained that his mother was both loving and difficult, and moreover generally saying to her children “I love you”, she also used the phrase “Get from here” a great deal. The television series were broadcasted to the CBS station. Johnny Galecki appeared within them with actors including JoBeth Williams and John Goodman, with whom he later became a costar within it series of “Roseanne”. Two years later, he appeared in a second more prominent production called “National Lampoon’s Christmas Vacation”.
By age 7, he began performing in such prestigious theater productions as "Fiddler on the Roof", "Pippin" and "Galileo", opposite Brian Dennehy at The Goodman Theater in Chicago.
At the age of 11, he received a Joseph Jefferson citation nomination for his critically-acclaimed performance as "John Henry" in "The Member of the Wedding".
In 1991, he starred in the made-for-TV movie Backfield in Motion (1991), which co-starred the production team of Roseanne Barr and Tom Arnold. The next year, Galecki joined the cast of Roseanne (1988) as Darlene's sensitive and put-upon boyfriend, David.
Born in Belgium where his father was stationed while serving in the US Air Force. He moved to Chicago when he was 3 years old.
We have Nobel Prize winners asking if they can guest-star on the show. The image of the scientist in the last 10 to 15 years has changed dramatically. It used to be the pasty guy in the basement with beakers, and now it's Steve Jobs. They're almost the rock stars of our age.
[on understanding the scientific concepts of physics] We're incredibly true to the science on the [The Big Bang Theory (2007)]. Even the whiteboards have actual formulas on them, and supposedly they are very funny sometimes. I don't know how that can be, but that's what I'm told.
[on preparing to portray a scientist on The Big Bang Theory (2007)] We did try. We talked to physicists at UCLA. We watched Nova (1992). I tried to read some books but they gave me anxiety attacks by page two. We realized that we can't pretend to think like geniuses. But we can learn to relate to them, emotionally.
I'm not at all competitive. I'd rather play Solitaire than ping-pong.
(On how he landed his role on Roseanne (1988)) That character was interesting, because it really grew organically, just in playing it. Initially, it was only supposed to be a couple of lines. Rose and I had worked together on a TV movie. She got me an episode, to do one scene on the show. There wasn't much there to do. Kind of rile things up with Sara Gilbert. It wasn't a whole lot to study or create or crawl into. But after that one episode, she asked me to do three more episodes, and then she asked me to do three years. You've got to understand: I was a massive fan of the show. I remember watching the pilot with my family in Chicago, when I was a kid. That show's time slot really governed when my family ate dinner. So I was very intimidated, being on that set, surrounded by television heroes of mine. That scared little rabbit that I was, observing all of this from the shadowy corners of the stage, was something the writers were brilliant enough to observe and inoculate into the character. Eventually, that became something. The way they wrote it and the way I played it. And it fortunately played so well off the "Darlene" character, too. My spinelessness and her strength.
(On National Lampoon's National Lampoon's Christmas Vacation (1989)) I was still living in Chicago with my family. I was 13, and I read for that role on tape. They flew me out to read with Chevy Chase. They must have been really hard up; I'm not sure why I got that role. I was fresh off the stage in Chicago. I had never done anything comedic before. I don't consider myself a comedic actor now, but I certainly wasn't then. I think I have a good idea, a good notion, a good inkling maybe of what's funny and what isn't. I think I can serve a good joke pretty well. But I wasn't bringing much comedic to the table whatsoever at 13.
(On his part in Hancock (2008)) Sometimes the scripts change a lot, and this was the case for Hancock (2008). Both Thomas Lennon and I read for our minuscule roles in Hancock (2008). There were a couple of great scenes that we had initially. Then, the script was rewritten after they'd cast us and after they'd negotiated our contracts and everything. I think I'm like fourth-billed in that movie. Will Smith, Charlize Theron, Jason Bateman and me. And yet I'm a glorified extra. I really have no lines whatsoever. Neither Thomas nor I knew that until we got to the set and saw the new draft of the script. Honestly, the impetus to that gig was to work with Peter Berg, because I've been a fan of his for a long time. There was one moment early on the first day where Thomas and I looked at the new draft and thought, "We don't have any lines anymore". "Should we go home?" Jason Bateman kept looking at us going, "What are you guys doing here?" We were extras. But I very much wanted to be on a Peter Berg set.
(On making I Know What You Did Last Summer (1997)) I don't remember really how that came to be. I used to know Jennifer Love Hewitt. We lived in the same apartment building when I was about... jeez, I guess it was when I was doing National Lampoon's Christmas Vacation (1989), so I was about 13 or 14. She and my little sister were friends, so I knew her a little bit. I think she suggested me for that role. It was a pretty cut-and-dried gig. I remember doing a body cast for a scene where they open a trunk, and my dead body is in it, and there's a crab crawling out of my mouth. I got a call that production was shut down, because Jennifer was so upset by seeing this image of me with a crab crawling out of my mouth. They were asking if I would call her and reassure her that I was very much alive.
(On making Vanilla Sky (2001)) That was a blast, because I got to hang around New York for three or four weeks and play Boggle with supermodels. Cameron Crowe wouldn't give out scripts, and I'm a homework guy, so I called him and I said, "You've got to tell me something. Give me something I can invest myself in so I feel prepared when I show up in the morning". He said, "Listen to The Beatles", which was, you know, not much of a help at all. I think I may have hung up on him. [Laughs]. But he wouldn't give out a script! So every day I would show up, and there'd be a couple of pages in my trailer. A line or two, or no lines. I never knew how big or small my role was going to be. I just showed up every day. I did invest myself in listening to The Beatles, because I had nothing else to work with, and I learned that he had based a lot of it in The Beatles. My character's name, "Peter Brown", was the name of the assistant to John and Yoko, and I think he appears in the lyrics to "The Ballad Of John And Yoko". But it was good fun. Tom Cruise was amazing - a really, really nice guy.
(On co-starring in NBC's A Family Torn Apart (1993) which co-stars Neil Patrick Harris): "I wanted to do something a little diverse from that people were used to seeing me do. I'm just a big fan of true-life crime stories. I'm not a violent person".
Right now, I'm very healthy. I have no vices left. Except sugary breakfast cereal. And absinthe, of course.
(On appearing in Don Roos's edgy dark comedy The Opposite of Sex (1998)): "I wanted to do a bigger movie with a broader audience. I realized there are people between the coasts that have no idea I've worked since Roseanne (1988).
I don't know what to do with myself between films. I end up doing unhealthy things like shopping or drinking. I'm pretty schizophrenic about it.