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Yash Chopra Net Worth

Yash Chopra Net Worth

How rich is Yash Raj Chopra?

Yash Raj Chopra Net Worth:
$200,000

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Yash Chopra Net Worth, Biography & Wiki 2017

Yash Raj Chopra (Hindi: ?? ??? ??????; 27 September 1932 – 21 October 2012) was an Indian film director, script writer and film producer, predominantly working in Hindi cinema. Yash Chopra began his career as an assistant director to I. S. Johar and elder brother, B.R. Chopra. He made his directorial debut with Dhool Ka Phool in 1959, a melodrama about illegitimacy, and followed it with the social drama Dharmputra (1961).Encouraged by the success of both films, the Chopra brothers made several more movies together during the late fifties and sixties. Chopra rose to prominence after his commercially and critically successful drama, Waqt (1965), which pioneered the concept of ensemble casts in Bollywood.In 1973, Chopra founded his own production company, Yash Raj Films, and launched it with Daag: A Poem of Love (1973), a successful melodrama about a polygamous man. His success continued in the seventies, with some of Indian cinema's most successful and iconic films, including the action thriller Deewar (1975), which established Amitabh Bachchan as the leading actor in Bollywood; the romantic drama Kabhie Kabhie (1976) and Trishul (1978).The period from late seventies to 1989 marked a professional setback in Chopra's career; several films he produced or directed in that period failed to leave a mark at the Indian box office, notably Doosra Aadmi (1977), Mashaal (1984), Faasle (1985) and Vijay (1988). In 1989, Chopra directed the commercially and critically successful cult film Chandni, which became instrumental in ending the era of violent films in Bollywood and returning musicals.Chopra directed and produced the cult classic Lamhe in 1991. Considered by critics and Chopra himself as his best work to date, the film became one of the biggest Bollywood hits in the overseas market, although underperforming at the domestic box office. In 1992 he directed Parampara which was critically panned and was a box office failure. Chopra followed it with the box-office hit and trend setter Darr (1993). Starring Shahrukh Khan, it was a sympathetic look at obsessive love and defied the image of the conventional hero. -Chopra directed three more romantic films, all starring Khan; Dil To Pagal Hai (1997), Veer-Zaara (2004), and Jab Tak Hai Jaan (2012), before he announced his retirement from directing in 2012.Chopra founded and was chairman of the motion picture production and distribution company Yash Raj Films, which ranks as India's biggest production company as of 2006, as well as Yash Raj Studios. Chopra's career has spanned more than five decades and 50 films; he is considered one of the leading filmmakers in the history of Hindi cinema. He came to be known as the "King of Romance" of the Indian cinema. Chopra has won several film awards, including six National Film Awards and eleven Filmfare awards, including four Filmfare Best Director awards. The Government of India honoured him with the Dadasaheb Phalke Award in 2001 and the Padma Bhushan in 2005 for [Wikipedia]


Yash Raj Chopra information

Yash Raj Chopra information

Full nameYash Raj Chopra
Know asYash Chopra, Chopra, Yash
Birth placeLahore, Punjab, British India [now Pakistan]
Birth dateSeptember 27, 1932
Died2012-10-21
Lived80 years, 0 month, 24 days
ReligionHinduism
Star signLibra
OccupationDirector, Script Writer, Producer
SpousePamela Yash Chopra
SiblingsHiroo Johar, Dharam Raj Chopra, See Chopra-Johar family

Yash Raj Chopra profile links

Yash Raj Chopra profile links


  • Filmography
  • Awards
  • Salaries
  • Facts
  • Quotes
  • Trademarks
  • Pictures


Producer

Producer

TitleYearStatusCharacter
Ladies vs. Ricky Bahl2011presentation producer
Mere Brother Ki Dulhan2011producer
Band Baaja Baaraat2010presentation producer
Lafangey Parindey2010producer
Pyaar Impossible!2010producer
Rab Ne Bana Di Jodi2008producer
Roadside Romeo2008executive producer / producer
Bachna Ae Haseeno2008producer
Chak de! India2007producer
Jhoom Barabar Jhoom2007producer
Dhoom 22006producer
Kabul Express2006producer
Fanaa2006producer
Neal 'N' Nikki2005producer
Salaam Namaste2005producer
Bunty Aur Babli2005producer
Veer-Zaara2004producer
Dhoom2004producer
Hum Tum2004producer
Mujhse Dosti Karoge!2002producer
Mere Yaar Ki Shaadi Hai2002producer
Mohabbatein2000producer
Humko Ishq Ne Mara1997TV Movie producer
Dil To Pagal Hai1997producer
Dilwale Dulhania Le Jayenge1995producer
Yeh Dillagi1994producer
Darr1993producer
Aaina1993producer
Lamhe1991producer
Chandni1989producer
Vijay1988producer
Faasle1985producer
Mashaal1984producer
Sawaal1982/Iproducer
Silsila1981producer
Nakhuda1981producer
Kaala Patthar1979producer
Noorie1979producer
Doosara Aadmi1977producer
Kabhie Kabhie1976producer
Daag: A Poem of Love1973producer

Director

Director

TitleYearStatusCharacter
Jab Tak Hai Jaan2012
Veer-Zaara2004
Dil To Pagal Hai1997
Darr1993
Parampara1992
Lamhe1991
Chandni1989
Vijay1988
Faasle1985
Mashaal1984
Silsila1981
Kaala Patthar1979
Trishul1978
Kabhie Kabhie1976
Deewaar1975
Joshila1973
Daag: A Poem of Love1973
Aadmi Aur Insaan1969
Ittefaq1969
Waqt1965
Dharmputra1961
Dhool Ka Phool1959

Miscellaneous

Miscellaneous

TitleYearStatusCharacter
Band Baaja Baaraat2010presenter
Bachna Ae Haseeno2008presents
Dhoom 22006presenter
Kabul Express2006presenter
Yeh Dillagi1994presenter
Aaina1993presenter

Assistant Director

Assistant Director

TitleYearStatusCharacter
Kanoon1960associate director
Sadhna1958assistant director - as Yash
Naya Daur1957assistant director - as Yash
Ek-Hi-Rasta1956assistant director - as Yash

Writer

Writer

TitleYearStatusCharacter
Dil To Pagal Hai1997screenplay
Silsila1981screenplay

Actor

Actor

TitleYearStatusCharacter
Veer-Zaara2004Narrator (uncredited)

Thanks

Thanks

TitleYearStatusCharacter
Teen Patti2010special thanks
Om Shanti Om2007very big thanks
Charas: A Joint Effort2004very special thanks
Kuch Kuch Hota Hai1998thanks - as Yash Uncle
Rudaali1993acknowledgment: member N.F.D.C. - as Shri Yash Chopra
Lorie1984grateful acknowledgment

Self

Self

TitleYearStatusCharacter
Celluloid Man2012DocumentaryHimself
55th Idea Filmfare Awards2010TV SpecialHimself
Om Shanti Om2007Himself
There Is No Direction2005Documentary shortHimself
Bollywood im Alpenrausch2000TV Special documentaryHimself
Dil To Pagal Hai1997Himself (opening credits seqence) (uncredited)

Archive Footage

Archive Footage

TitleYearStatusCharacter
Still Rolling: The DDLJ Story2016Documentary short

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2013Lifetime Achievement AwardFilmfare Awards
2013Lifetime Achievement AwardZee Cine AwardsLifetime Achivement Award
2013Special AwardZee Cine AwardsPower Club - Box Office AwardJab Tak Hai Jaan (2012)
2010Children's International Special Jury PrizeCairo International Film Festival for ChildrenRoadside Romeo (2008)
2009Filmfare AwardFilmfare AwardsBest Scene of the YearRab Ne Bana Di Jodi (2008)
2009Asian Filmmaker of the YearPusan International Film Festival
2008FIAPF Award for Outstanding Achievement in FilmAsia Pacific Screen Awards
2006Lifetime Achievement AwardBombay International Film Festival
2006Audience AwardJeonju Film FestivalVeer-Zaara (2004)
2005Popular AwardAwards of the International Indian Film AcademyBest DirectorVeer-Zaara (2004)
2005Popular AwardAwards of the International Indian Film AcademyBest PictureVeer-Zaara (2004)
2005Lifetime Achievement AwardDubai International Film Festival
2005Golden Lotus AwardNational Film Awards, IndiaBest Popular Film Providing Wholesome EntertainmentVeer-Zaara (2004)
2005Popular AwardZee Cine AwardsBest DirectorVeer-Zaara (2004)
2005Popular AwardZee Cine AwardsBest Producer of the Year
2001Special AwardScreen Weekly AwardsFor his contribution to Indian cinema.
1996Filmfare AwardFilmfare AwardsBest FilmDilwale Dulhania Le Jayenge (1995)
1994Silver Lotus AwardNational Film Awards, IndiaBest Popular Film Providing Wholesome EntertainmentDarr (1993)
1992Filmfare AwardFilmfare AwardsBest FilmLamhe (1991)
1976Filmfare AwardFilmfare AwardsBest DirectorDeewaar (1975)
1974Filmfare AwardFilmfare AwardsBest DirectorDaag: A Poem of Love (1973)
1970Filmfare AwardFilmfare AwardsBest DirectorIttefaq (1969)
1966Filmfare AwardFilmfare AwardsBest DirectorWaqt (1965)

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2005Filmfare AwardFilmfare AwardsBest DirectorVeer-Zaara (2004)
2005ScreenScreen Weekly AwardsBest DirectorVeer-Zaara (2004)
2001Popular AwardAwards of the International Indian Film AcademyBest PictureMohabbatein (2000)
1994Filmfare AwardFilmfare AwardsBest DirectorDarr (1993)


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#Fact
1Brother in law Gava produced the film Karobaar in 2000.
2Elder brother named Kuldip Raj Chopra.
3Gulshan Kumar had launched a film titled " Mohabbatien" in the 1990's. This was to be directed by Yash Chopra. The film was eventually shelved.
4Elder brother named Hans Raj Chopra. Hans Raj had a son named Lalit Chopra who has passed away. Lalit was married to Suman Chopra. Suman and Lalit Chopra have two daughters. Their names are Bhakti Mehta and Aradhna Bhandari.
5Uncle to late director Ravi Chopra.
6Son Aditya Chopra's first wife Payal Khanna, is the granddaughter of producer, director Ramanand Sagar.
7He has shot in Switzerland so many times that a lake in the Alpenrausch, a favourite shooting spot of his, has been christened Chopra Lake.
8Member of jury at the Berlin International Film Festival in 2006.
9Father of Aditya Chopra and Uday Chopra.
10He has a habit of repeating his actors in his films and frequently casts Shashi Kapoor, Amitabh Bachchan, Waheeda Rehman, Shah Rukh Khan and Rani Mukerji.
11He decided to leave his brother's studio to form Yash Raj Films after returning from his honeymoon. It is unclear what influenced him to do so.
12Younger brother of B.R. Chopra and Dharam Chopra.

#Quote
1My personal favorites among my directorial ventures are Ittefaq, Daag, Deewar, Kabhie Kabhie, Lamhe and Mashaal.
2These days, most films are sensible. The young whiz kids are doing a wonderful job. Their films are different, and most are good. A Wednesday (2008), for example, was a wonderful film. And that's why we are taking a lot of chances at Yash Raj Films, by giving breaks to new actors, directors and musicians.
3I've always worked with big stars, but they know that I am only honest to the script. It is my Gita and I never changed it to please film stars or their egos. We spend months in writing a film, so I wouldn't like it if someone asks me to change it. That's why I like to finish a film as fast as possible once I start. But as far as performances are concerned, I give full liberty to the artistes. I have full faith in them.
4There are only two types of cinema - good or bad.
5I was in Lahore before the partition, so I don't believe that a border can truly separate Punjab. I still think of it as one.
6My technicians are my most important tools. Once I establish a rapport with them, then they would understand me in my next film. I wouldn't have to train anyone new. I give a lot of respect to all my technicians, because I'm a technician too. I wouldn't be able to convey a feeling if the writer didn't write it well, and the cameraman didn't shoot it well.
7What is the point of making the film if the man doesn't marry the girl?
8I think songs enhance romance and sometimes, even drama, when you have to comment on a society, like Guru Dutt did in Pyaasa (1957). Songs are a great way of conveying the director's imagination. People in this era don't like to see lip-syncing and prefer songs in the background, but I feel that an emotion can be conveyed better if it comes through the person singing it.
9Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I think women are more emotional than men, and that's a thread I've explored in all my films. When I see TV these days, I'm shocked at how all the main women characters are portrayed as evil. Women are the foundation of everything, and they deserve to be treated that way on camera.
10I believe in my old style of making films. I think I have it in me to make a different film in my own area of romance. Films on human relationships never go out of fashion. Everyone says 'I love you' these days. But it's about how you say it.
11Relationships interest me because man is one creature who is capable of sane as well as insane behaviour. It's this nature of human beings that inspires and gives room for innumerable plots. Like in _Daag (1973)_, Raakhee, who played the other woman, created all the drama, as did Rekha in Silsila (1981). In Aaina (1993) it was the jealous sister while in Darr (1993) it was the obsessive lover. So unlike other movies where a villain is added to create the problems, in my films villainy is substituted by a third angle.
12The reason for his seven-year hiatus in direction: "My son Aditya made Mohabbatein (2000), which took a lot of time and energy. Then we started looking for a script for me to direct. Nothing seemed to excite us both. There's a complete bankruptcy of screenwriting in our cinema. I wanted a very earthy and Indian subject. I was tired of the promos on television. With semi-clad girls, they all looked the same. Of course Dhoom (2004) has them too. But I'd personally not make a film like that."
13On singer Lata Mangeshkar: "Lataji has always been so kind to me. She can never say no to me. As long as I am there and she's there she'll continue to sing for my films. When others sing they follow music, but when she sings, music follows her. I truly believe that. When she sang for Dhool Ka Phool (1959) the first film I directed, I was in awe of her. Today I'm much closer to her. But the awe remains."
14Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
15I always believe that my films should give some hope to the man who comes to watch them for those three hours. If he goes home on an optimistic note, I would feel satisfied at having done my duty.
16About Veer-Zaara (2004): "Though it's a film about cross-border love, there isn't a word of politics in it. Forget politics, there isn't slap, not even a raised voice in Veer-Zaara (2004). It's a very intense, humane and emotional story. Veer-Zaara (2004) is a humble tribute to my home in Punjab. It's my tribute to the one-ness of people on both sides of the border. Every religion preaches peace. Then why the bloodshed for the sake of religion? Why are we destroying each other?"
17You can always make a good film but for it to be successful, you need God's blessing.
18I'm the sentimental sort. I cry easily. I cry when I see poignant films made by other directors.
19We're making all kinds of films - English, Hinglish, sex, horror... this and that. It's a healthy trend. But for a film to run it has to have Indian values. For a film to be a blockbuster it has to be rooted to our culture.

#Trademark
1His films are always romantic films, with shots from foreign locations and having high-quality music.

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